{"id":1563,"date":"2017-10-03T06:40:58","date_gmt":"2017-10-03T03:40:58","guid":{"rendered":"http:\/\/disco.teak.fi\/asia\/?p=1563"},"modified":"2025-11-05T12:12:20","modified_gmt":"2025-11-05T10:12:20","slug":"literature","status":"publish","type":"post","link":"https:\/\/disco.teak.fi\/asia\/literature\/","title":{"rendered":"Literature"},"content":{"rendered":"\n

General<\/h2>\n\n\n\n

Asian Puppets: Wall of the World<\/em>, Los Angeles, 1976.<\/p>\n\n\n\n

Bowers, Faubion: The Drama in the East: A Survey of Asian Dance and Drama<\/em>, New York, 1956.<\/p>\n\n\n\n

Brandon, James R. (ed.) Asian Theatre: A Study Guide and Annotated Bibliography<\/em>. Theatre Perspectives, No.1, New York, 1979.<\/p>\n\n\n\n

Brandon, James R.: Brandon\u2019s Guide to Theatre in Asia<\/em>, Honolulu, 1976.<\/p>\n\n\n\n

Brandon, James R.: Theatre in Southeast Asia<\/em>, Cambridge, 1967.<\/p>\n\n\n\n

Das Theatre des Fernen Ostens, \u201d… Ich Werde deinen Schatten essen\u201d<\/em>, Berlin, 1985.<\/p>\n\n\n\n

Ghulam-Sarwar Yousof: Dictionary of Traditional South-East Asian Theatre<\/em>, Singapore, 1994.<\/p>\n\n\n\n

Kindermann, Heinz (ed.): Fern\u00f6stliches Theater<\/em>, Stuttgart, 1966.<\/p>\n\n\n\n

Miettinen, Jukka O.: Classical Dance and Theatre in South-East Asia<\/em>, Singapore, 1992.<\/p>\n\n\n\n

Siyan, Liu (ed.): Routledge Handbook of Asian Theatre<\/em>, London and New York, 2016.<\/p>\n\n\n\n

India<\/h2>\n\n\n\n

Baldissera, Fabrizia & Michael, Axel: Der Indische Tanz<\/em>, K\u00f6ln, 1988.<\/p>\n\n\n\n

Dancing to the Flute: Music and Dance in Indian Art<\/em>, Sydney, 1997.<\/p>\n\n\n\n

Das Gupta, Jyotirinda: Indian theatre<\/em>, New Delhi, 1995.<\/p>\n\n\n\n

Gargi, Balwant: Folk Theatre of India<\/em>, Washington, 1966.<\/p>\n\n\n\n

Gargi, Balwant: Theatre in India<\/em>, New York, 1962.<\/p>\n\n\n\n

Hawley, John Stratton: At Play with Krishna. Pilgrimage Dramas from Brindavan<\/em>, Princeton 1981.<\/p>\n\n\n\n

Jain, Jyotindra: Picture Showmen: Insights into the Narrative Tradition in Indian Art<\/em>, Mumbai, 1998.<\/p>\n\n\n\n

Kalidasa: The Recognition of Shakuntala<\/em> (transl. W.J.Johnson), New York, 2001.<\/p>\n\n\n\n

Karanth, Shivarama K.: Yakshagana<\/em>, New Delhi, 1997.<\/p>\n\n\n\n

Khokar, Mohan: Traditions of Indian Dance<\/em>, London, 1979.<\/p>\n\n\n\n

Kothari, Sunil (ed.): Bharata Natya: Indian Classical Dance<\/em>, Bombay, 1979.<\/p>\n\n\n\n

Narayan, Shovana: Kathak: Rythmic Echoes and Reflections<\/em>, New Delh,i 1998.<\/p>\n\n\n\n

The Natya Sastra<\/em> (Raga Nrtya Series No 2), Delhi, s.a.<\/p>\n\n\n\n

The Performing Arts<\/em>, Bombay, 1982.<\/p>\n\n\n\n

Paniker, Nirmala: Nangiar Koothu: The Classical Dance-Theatre of the Nangiars<\/em>, Trichur, 2005.<\/p>\n\n\n\n

Rebling, Eberhard: Die Tanzkunst Indiens<\/em>, Berlin, 1981.<\/p>\n\n\n\n

Richmon, Farley P.: Indian Theatre<\/em>, Honolulu, 1990.<\/p>\n\n\n\n

Sarabhai, Mallika (ed.): Performing Arts of Kerala<\/em>, Middletwon, 1994.<\/p>\n\n\n\n

Sanskrit Drama in Performance<\/em> (ed. Rachel Van M. Baumer & James R. Brandon), Honolulu, 1972.<\/p>\n\n\n\n

Singha, Rina & Massey, Reginald: Indian Dances<\/em>. Their History and Growth, London, 1967.<\/p>\n\n\n\n

Shivaji, Bharati: The Art of Mohiniyattam<\/em>, New Delhi, 1986.<\/p>\n\n\n\n

Three Sanskrit Plays<\/em> (transl. Michael Coulson), Harmondsworth, 1981.<\/p>\n\n\n\n

Vatsyayan, Kapila: Classical Indian Dance in Literature and Arts<\/em>, New Delhi, 1968.<\/p>\n\n\n\n

Vatsyayan, Kapila: Indian Classical Dances<\/em>, New Delhi, 1974.<\/p>\n\n\n\n

Vatsyayan, Kapila: Bharata: The Natyashastra<\/em>, New Delhi, 1996.<\/p>\n\n\n\n

Venu, G.: Production of a Play in Kutiyattam<\/em>, Trichur, 1989.<\/p>\n\n\n\n

Venu, G.: Puppetry and Lesser Known Dance Traditions of Kerala<\/em>, Trichur, 1990.<\/p>\n\n\n\n

Venu, G.: The Language of Kathakali<\/em>, Trichur, 2000.<\/p>\n\n\n\n

Zarrilli, Philip: The Kathakali Complex. Actor, Performance & Structure<\/em>, New Delhi, 1984.<\/p>\n\n\n\n

Sri Lanka<\/h2>\n\n\n\n

Seneviratna, Anuradha: Traditional Dance of Sri Lanka<\/em>, Colombo, 1984.<\/p>\n\n\n\n

Goonatilleka, M. H.: Masks and Mask Systems of Sri Lanka<\/em>, Colombo, 1978.<\/p>\n\n\n\n

Sarachachandra, E.R.: The Folk Drama of Ceylon<\/em>, Colombo, 1966.<\/p>\n\n\n\n

Schubert, Rose: Rukada, Puppenspiel in Sri Lanka<\/em>, M\u00fcnchen, 1982.<\/p>\n\n\n\n

Scott, David: Formations of Ritual. Colonial and Anthropological Discourses on the Sinhala <\/em>Yaktovil, <\/em>Minneapolis, London, 1994.<\/p>\n\n\n\n

Wirz, Paul: Exorzismus und Heilkunde auf Ceylon<\/em>, Bern, 1941, English version: Exorcism and the Art of Healing in Ceylon<\/em>, Leiden, 1954.<\/p>\n\n\n\n

Kapferer, Bruce: A Celebration of Demons. Exorcism and the Aesthetics of Healing in Sri Lanka<\/em>, Bloomington, 1983.<\/p>\n\n\n\n

Pertold, Otaker: Ceremonial Dances of the Sinhalese. An Inquiry into Sinhalese Folk Religion<\/em>, 1930 (orig.), repr. 1973, Dehiwala.<\/p>\n\n\n\n

Bentharage, Lionel: The Art of Mask Making in Sri Lanka<\/em>, Colombo, 2015<\/p>\n\n\n\n

Raghavan, M.D.: Sinhala N\u00e4tum. Dances of the Sinhalese<\/em>,  Colombo, 1967.<\/p>\n\n\n\n

Myanmar (Burma)<\/h2>\n\n\n\n

Pe Hla (ed.): Konmara Pya Zat: An Example of Popular Burmese Drama in XIX Century by U Pok Ni<\/em>, Vol I, London, 1952.<\/p>\n\n\n\n

Maung Htin Aung, Burmese Drama: A Study, with Translations, of Burmese Plays<\/em>, Calcutta, 1937.<\/p>\n\n\n\n

Maung Khe Sein & Whitney, Joseph A.: The Great Po Sein<\/em>, 1st edition, Bloomington 1965, 2nd edition Bangkok, 1998.<\/p>\n\n\n\n

Singer, Noel F.: Burmese Dance and Theatre<\/em>, Singapore, 1995.<\/p>\n\n\n\n

Singer, Noel F.: Burmese Puppets<\/em>, Singapore, 1992.<\/p>\n\n\n\n

Ma Thanegi: The Illusion of Life: Burmese Marionettes<\/em>, Bangkok, 1994.<\/p>\n\n\n\n

Zaw Pale & Kuin Win New: Oba Thaung who Systematised the Myanma Dance<\/em>, Yangon, 1998.<\/p>\n\n\n\n

Thailand<\/h2>\n\n\n\n

Broman, Sven: Shadows of Life, Nang Talung: Thai Popular Shadow Theatre<\/em>, Bangkok, 1996.<\/p>\n\n\n\n

HH Prince Dhaninivat Kromamun Bidyalabh Bridyakorn: Shadow Play (the Nang)<\/em>, in Thai Culture, New Series Mo. 3, Bangkok, 1973.<\/p>\n\n\n\n

HH Prince Dhaninivat Kromamun Bidyalabh Bridyakorn and Danith Yupho: The Khon<\/em>, Thai Culture, New Series No. 6, Bankok, 1973.<\/p>\n\n\n\n

Danith Yupho: The Khon and Lakon: Dance Dramas Presented by the Department of Fine Arts<\/em>, Bangkok, 1963.<\/p>\n\n\n\n

Danith Yupho: Khon Masks<\/em>, Thai Culture, New Series No. 7, Bangkok, 1971.<\/p>\n\n\n\n

Danith Yupho: The Preliminary Course of Training in Thai Theatrical Art<\/em>, Thai Culture, New Series No. 13, Bangkok, 1980.<\/p>\n\n\n\n

Dressing Gods & Demons \u2013 Costume for Khon<\/em>. Bangkok, 2011.<\/p>\n\n\n\n

Ingersol, Fern S. (transl.): Sang Thong: A Dance Drama from Thailand, Written by King Rama II and the poets of His Court<\/em>, Rutland & Tokyo, 1973.<\/p>\n\n\n\n

Khon: Thai Masked Dance<\/em>, Bangkok, 2006.<\/p>\n\n\n\n

Mattani Rutnin (ed.): The Siamese Theatre: A Collection of Reprints from the Journals of the Siam Society<\/em>, Bangkok, 1975.<\/p>\n\n\n\n

Mattani Mojdara Rutnin: Dance, Drama, and Theatre in Thailand: The Process of Development and Modernization<\/em>, Tokyo 1993.<\/p>\n\n\n\n

Natthapatra Chandavij & Promporn Pramualratana: Thai Puppets and Khon Masks<\/em>, Bangkok, 1998.<\/p>\n\n\n\n

Nora, A Living Dance Tradition of Southern Thailand<\/em> (compilers Pornrat Damrhung and Lowell Skar). Bangkok, 2021.<\/p>\n\n\n\n

Surapone Virulrak: Performing Arts during the Reign of King Rama IV<\/em>, SPAFA Journal Vol. 9 No. 3, Bangkok, 1999.<\/p>\n\n\n\n

Cambodia<\/h2>\n\n\n\n

Heywood, Denise: Cambodian Dance: Celebration of the Gods<\/em>, Bangkok, 2008.<\/p>\n\n\n\n

Keo Naram, Prum Sisaphanatha: Apsara Dance<\/em>. Phnom Penh, 2003.<\/p>\n\n\n\n

Phim, Toni Samantha & Thomson, Ashley: Dance in Cambodia<\/em>, Kuala Lumpur, 1999.<\/p>\n\n\n\n

Royal Cambodian Ballet<\/em>, Phnom Penh, 1963.<\/p>\n\n\n\n

Malaysia<\/h2>\n\n\n\n

Ghulam-Sarwar Yosof: Panggung Semar: Aspects of Traditional Malay Theatre<\/em>, Petaling Jaya, 1992.<\/p>\n\n\n\n

Sheppard, Mubin: A Royal Pleasure Ground, Malay Decorative Arts and Pastimes<\/em>, Singapore, 1986.<\/p>\n\n\n\n

Sweeney, Amin: Malay Shadow Puppets: The Wayang Siam of Kelantan<\/em>, London, 1972.<\/p>\n\n\n\n

Vietnam<\/h2>\n\n\n\n

Nguyen Loc & Vo Van Tuong: Vietnam\u2019s Hat Boi Theatre Art<\/em>, Hanoi, 1994.<\/p>\n\n\n\n

Nguyen Huy Hong & Tran Trung Chinh: Vietnamese Traditional Water Puppetry<\/em>, Hanoi, 1992.<\/p>\n\n\n\n

Song Ban: The Vietnamese Theatre<\/em>, Hanoi, 1960.<\/p>\n\n\n\n

Than Van Khe: Marionettes sur eau de Vietnam<\/em>, Paris, 1984.<\/p>\n\n\n\n

Indonesia<\/h2>\n\n\n\n

Bandem, I Made & deBoer, Frederik Eugene: Kaja and Kelod: Balinese Drama in Transition<\/em>, Singapore, 1981.<\/p>\n\n\n\n

Bandem, I Made: Wayang Wong<\/em>, Denpasar, 2001.<\/p>\n\n\n\n

Brandon, James R: On Thrones of Gold: Three Javanese Shadow Plays<\/em>, Cambridge, 1970.<\/p>\n\n\n\n

Buurman, Peter: Wayang Golek: The Entrancing World of Classical Javanese Puppet Theatre<\/em>, Singapore, 1988.<\/p>\n\n\n\n

Didia, I Wayan & Ballinger, Rucina: Balinese Dance, Drama and Music<\/em>: A Guide to the Performing Arts of Bali<\/em>, Singapore, 2004.<\/p>\n\n\n\n

van Groenendael, Victoria M.Clara: Wayang Theatre in Indonesia: An Annotated Bibliography<\/em>, Leiden, 1987.<\/p>\n\n\n\n

Herbert, Mimi: Voices of the Puppet Masters: The Wayang Golek Theatre of Indonesia<\/em>, Jakarta, 2002.<\/p>\n\n\n\n

Holt, Claire: Art in Indonesia<\/em>, Ithaca, 1967.<\/p>\n\n\n\n

Mulyono, Sri: Human Character in the Wayang<\/em>, Singapore, 1981.<\/p>\n\n\n\n

Van Ness, Edward C. & Prawirohardjo, Shita: Javanese Wayang Kulit: An Introduction<\/em>, Singapore, 1979.<\/p>\n\n\n\n

Performing Arts<\/em>, Indonesian Heritage Series, Singapore, 1998.<\/p>\n\n\n\n

Rebling, Eberhard: Die Tantzkunst Indonesiens<\/em>, Berlin, 1989.<\/p>\n\n\n\n

Slattum, Judy & Paul Schraub: Balinese Masks: Spirits of an Ancient Drama<\/em>, Singapore, 2003.<\/p>\n\n\n\n

Soedarsono: Dances of Indonesia<\/em>, Jakarta, 1974.<\/p>\n\n\n\n

Soedarsono: Wayang Wong: The State Ritual Dance Drama in the Court of Yogyakarta<\/em>, Yogyakarta, 1984.<\/p>\n\n\n\n

de Zoete, Beryl & Spies, Walter: Dance and Drama in Bali<\/em>, London 1938, Singapore, 1973.<\/p>\n\n\n\n

China<\/h2>\n\n\n\n

Chinese Dance<\/em> (ed. Zi Huayun), in the Chinese Culture and Arts Series, Beijing, 1999.<\/p>\n\n\n\n

Chinese Theatre<\/em> (ed. Zhang Yihe), in the Chinese Culture and Arts Series, Beijing, 1999.<\/p>\n\n\n\n

Dolby, William: A History of Chinese Drama<\/em>, London, 1976.<\/p>\n\n\n\n

Halson, Elisabeth: Peking Opera<\/em>, Hong Kong, 1982.<\/p>\n\n\n\n

Jiang, Jin: Women Playing Men. Yue Opera and Social Change in Twentieth Century Shanghai<\/em>. Seattle and London, 2009.<\/p>\n\n\n\n

Liu Jung-e (transl.): Six Yuan Plays<\/em>, Middlesex, 1972.<\/p>\n\n\n\n

Mackerras, Colin P.: The Rise of the Peking Opera, 1770\u20131870: Social Aspects of the Theatre in Manchu China<\/em>, Oxford, 1972.<\/p>\n\n\n\n

Mackerras, Colin P.: The Chinese Theatre in Modern Times, from 1840 to the Present Day<\/em>, London, 1975.<\/p>\n\n\n\n

Mackerras, Colin: Chinese Drama: A Historical Survey<\/em>, Beijing, 1990.<\/p>\n\n\n\n

Mackerras, Colin (ed.): Chinese Theater: From Its Origin to the Present Day<\/em>, Hawaii, 1983.<\/p>\n\n\n\n

Malligan, Jean (transl.): The Lute, Kao Ming\u2019s P\u2019i-p\u2019a<\/em>, New York, 1980.<\/p>\n\n\n\n

Modern Chinese Drama<\/em> (ed. Tian Benxiang), in the Chinese Culture and Art Series, Beijing, 1999.<\/p>\n\n\n\n

Nygren, Christina: Frukter fr\u00e5n P\u00e4rontr\u00e4dg\u00e5rden: Teater i Kina<\/em>, Stockholm, 1986.<\/p>\n\n\n\n

Pan Xiafeng: The Statecraft of Peking Opera<\/em>, Beijing, 1995.<\/p>\n\n\n\n

Pimpaneau, Jacques: Promenade au jardin des poiriers<\/em>, Paris, 1983.<\/p>\n\n\n\n

Scott, Adolphe Clarence: The Classical Theatre in China<\/em>, London, 1957.<\/p>\n\n\n\n

Scott, Adolphe Clarence: Traditional Chinese Plays<\/em>, vol. I\u2013III, Wisconsin 1967, 1969, 1975.<\/p>\n\n\n\n

Wu Zuguang & Huang Zuolin & Mei Shaowu: Peking Opera and Mei Lanfang: A Guide to China\u2019s Traditional Theatre And the Art of Its Great Master<\/em>, Beijing, 1980.<\/p>\n\n\n\n

Yang Xianyi & Yang Gladys (transl.): Selected Plays of Guan Hanqing<\/em>, Beijing 1979.<\/p>\n\n\n\n

Zhao Menglin & Yan Jiqing: Peking Opera Painted Faces: With Notes on 200 Operas<\/em>, Beijing, 1992.<\/p>\n\n\n\n

Xu Chengbei: Peking Opera<\/em>, in the Cultural China Series, Beijing, 2003.<\/p>\n\n\n\n

Korea<\/h2>\n\n\n\n

Cho Dong-il: <\/b>Korean Mask Dance<\/em>, Seoul, 2005.<\/p>\n\n\n\n

Killick, Andrew: In Search of Korean Traditional Opera. Discourses on Ch\u2019angguk<\/em>. Honolulu, 2010.<\/p>\n\n\n\n

Korean Dance, Theater & Cinema<\/em>, Seoul, 1983.<\/p>\n\n\n\n

Performing Arts<\/em>, in the series of Korean Cultural Heritage (several writers), Seoul, 1997.<\/p>\n\n\n\n

Japan<\/h2>\n\n\n\n

Arnott, Peter D.: The Theatres of Japan<\/em>, New York, 1969.<\/p>\n\n\n\n

Aubray S. & Halford, Giovanna M.: The Kabuki Handbook<\/em>, Tokyo, 1956.<\/p>\n\n\n\n

Bowers, Faubion: Japanese Theatre<\/em>, Tokyo, 1974.<\/p>\n\n\n\n

Brandon, James R.: Kabuki: Five Classic Plays<\/em>, Honolulu, 1992.<\/p>\n\n\n\n

Brandon, James R. & Malm, William P. & Shively, Donald H.: Studies in Kabuki: Its Acting, Music and Historical Context<\/em>, Honolulu, 1979.<\/p>\n\n\n\n

Cavaye, Ronald & Griffith, Paul & Senda, Akihiko: A Guide to the Japanese Stage: From Traditional to Cutting Edge<\/em>, Tokyo, 2004.<\/p>\n\n\n\n

Ernst, Eale: The Kabuki Theatre<\/em>, New York, 1956.<\/p>\n\n\n\n

Gunji, Masakatsu: Kabuki<\/em>, Tokyo, 1985.<\/p>\n\n\n\n

Keene, Donald (transl.): Four Major Plays of Chikamatsu<\/em>, New York, 1961.<\/p>\n\n\n\n

Komparu, Kunio: The Noh Theater, Principals and Perspectives<\/em>, New York, Tokyo, 1983.<\/p>\n\n\n\n

Rimer J. Thomas & Masakazu, Yamazaki (transl.): On The Art of the No Drama: The Major Treatises of Zeami, Princeton, 1984.<\/p>\n\n\n\n

Takaya, Ted T. (ed.): Modern Japanese Drama, An Anthology<\/em>, New York, 1979.<\/p>\n\n\n\n

Tyler, Royall (transl.): Japanese No Dramas<\/em>, London, 1992.<\/p>\n\n\n\n

Yoshinabu, Inoura & Toshio, Kawatake: The Traditional Theatre of Japan<\/em>, New York, Tokyo, 1981<\/p>\n\n\n\n

Zeami: The Flowering Spirit: Classic Teachings in the Art of No<\/em>, (transl. William Scott Wilson), Tokyo, New York, London, 2006.<\/p>\n\n\n\n

History of International Exchanges<\/h2>\n\n\n\n

Chang, Dongshing: Representing China on the Historical London Stage. From Orientalism to Intercultural Performance<\/em>. New York, 2015.<\/p>\n\n\n\n

Cohen, Matthew Isaac: Performing Otherness. Java and Bali on International Stages, 1905\u20131952<\/em>. Basingstoke, 2006.<\/p>\n\n\n\n

Eisenstein, Sergei: The Unexpected<\/em>. In: Kirby, E.T. (ed.) Total Theatre. A Critical Anthology. New York, 1969.<\/p>\n\n\n\n

Kurkinen, Marjaana (aka Anna Thuring): The Spectre of the Orient. Japanese Theatre French Mime and Traditional Japanese Theatre in 1930\u2019s<\/em>. URN:ISBN:952-91-2963-7<\/a> 2000.<\/p>\n\n\n\n

Pavis, Patrice (ed): The Intercultural Performance Reader<\/em>. London, 1996.<\/p>\n\n\n\n

Pavis, Patrice: Theatre at the crossroads of culture<\/em>. London, 2001.<\/p>\n\n\n\n

Scholz-Cionca, Stanca & Leiter, Samuel L. (eds.): Japanese Theatre & the International Stage<\/em>. Leiden, 2001.<\/p>\n\n\n\n

Tian, Min: China\u2019s Greatest Operatic Male Actor of Female Roles. Documenting the Life and Art of Mei Lanfang, 1984\u20131961<\/em>. Lewiston, NY, 2010.<\/p>\n\n\n\n

Tian, Min: The Use of Asian Theatre for Modern Western Theatre. The Displaced Mirror<\/em>. Iowa City, 2018.<\/p>\n\n\n\n

Orientalism and Post-colonialism<\/h2>\n\n\n\n

Bharucha, Rustom: Theatre and the World. Performance and Politics of Culture<\/em>. London, 1993.<\/p>\n\n\n\n

Said, Edward W.: Orientalism. Western Conceptions of the Orient<\/em>. London, 1978.<\/p>\n\n\n\n

Spivak, Gayatri Chakravorty: Can the Subaltern Speak?<\/em> In Ashcroft, Bill & Griffiths, Gareth & Tiffin, Helen (eds). The Post-Colonial Studies Reader. 2nd Edition. New York, 2006.<\/p>\n\n\n\n

Bharucha, Rustom. 1993. Introduction and Chapter 1: Collision of Cultures. Some western interpretations and uses of the Indian theatre. In: Theatre and the World. Performance and the Politics of Culture.<\/p>\n\n\n\n

Schechner, Richard. A Reply to Rustom Bharucha<\/em>. Asian Theatre Journal. Fall 1984.<\/p>\n\n\n\n

The Aftermath. When Peter Brook Came to India<\/em>. An Interview by Phillip Zarrilli and other interviews. The Drama Review 1985.<\/p>\n\n\n\n

Interculturalism, Transculturalism, Interwovedness<\/h2>\n\n\n\n

Barba, Eugenio \u2013 Savarese, Nicola: A Dictionary of Theatre Anthropology. The Secret Art of the Performer<\/em> 2nd Edition. New York, 2006.<\/p>\n\n\n\n

Feng, Wei: Intercultural Aesthetics in Traditional Chinese Theatre: From 1978 to the Present<\/em>. Cham, 2020.<\/p>\n\n\n\n

Ferrari, Rossella: Transnational Chinese Theatres: Intercultural Performance Networks in East Asia<\/em>. Basingstoke, 2020.<\/p>\n\n\n\n

Lei, Daphne P. & Ivor, Charlotte (eds): Methuen Drama Book of Performance and Interculturalism<\/em>. London, 2020.<\/p>\n\n\n\n

McIvor, Charlotte & King, Jason (eds): Interculturalism and Performance Now<\/em>. Cham, 2019.<\/p>\n\n\n\n

Scholz-Cionca, Stanca & Regelsberger, Andreas (eds): Japanese Theatre Intercultural. German and Italian Intertwinings<\/em>. M\u00fcnchen, 2011.<\/p>\n\n\n\n

Suzuki, Tadashi: The Way of Acting. The Theatre Writings of Tadashi Suzuki<\/em>. New York, 1986.<\/p>\n\n\n\n

Zarrilli, Phillip B.: Psychophysical Acting. An Intercultural Approach after Stanislavski<\/em>. London and New York. 2009.<\/p>\n\n\n\n

Zarrilli, Phillip B. & Daboo, Jerry & Loukes, Rebecca (eds): Acting: psychophysical phenomenon and process: intercultural and interdisciplinary perspectives<\/em>. Basingstoke, 2013.<\/p>\n\n\n\n

Zarrilli, Phillip B. & Sasitharan, T. & Kapur, Anuradha (eds): Intercultural Acting and Performer Training<\/em>. London and New York, 2019.<\/p>\n\n\n\n

Hybridity, Pan-Asian Performance, Modern Asian Performance<\/h2>\n\n\n\n

Bhatia, Nandi (ed): Modern Indian Theatre<\/em>. A Reader. New Delhi, 2009.<\/p>\n\n\n\n

Brandon, James. R.: Kabuki\u2019s Forgotten War 1931\u20131945<\/em>. Manoa, 2009.<\/p>\n\n\n\n

Chaturvedi, Ravi & Gupta, Tapati (eds): Contemporary Indian Theatre. Theatricality and Artistic Crossovers<\/em>. Jaipur, 2017.<\/p>\n\n\n\n

Geilhorn, Barbara & Grossmann, Eike & Miura, Hiroko & Peter Eckersall (Eds): Enacting Culture. Japanese Theatre in Historical and Modern Contexts<\/em>. M\u00fcnchen, 2012.<\/p>\n\n\n\n

Lei, Daphne: Alternative Chinese Opera in the Age of Globalization<\/em>. Performing Zero. Basingstoke, UK, 2011.<\/p>\n\n\n\n

Liu, Siyuan: Performing Hybridity in Colonial-Modern China<\/em>. New York, 2013.<\/p>\n\n\n\n

Nichols, Richard (ed): Modern Korean Drama. An Anthology<\/em>. New York, 2011.<\/p>\n\n\n\n

Varney, Denise & Eckersall, Peter & Hudson, Chris & Hatley, Barbara (eds): Theatre and Performance in The Asia-Pacific. Regional Modernities in the Global Era<\/em>. Basingstoke, UK, 2013.<\/p>\n\n\n\n

Wetmore, Jr., Kevin J. & Liu, Siyan & Mee, Erin B. (eds.): Modern Asian Theatre and Performance 1900\u20132000<\/em>. London, 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"

General Asian Puppets: Wall of the World, Los Angeles, 1976. Bowers, Faubion: The Drama in […]<\/p>\n","protected":false},"author":2,"featured_media":2411,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-1563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-introduction"],"_links":{"self":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/1563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/comments?post=1563"}],"version-history":[{"count":12,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/1563\/revisions"}],"predecessor-version":[{"id":4533,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/1563\/revisions\/4533"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/media\/2411"}],"wp:attachment":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/media?parent=1563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/categories?post=1563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/tags?post=1563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}