Asian Puppets: Wall of the World<\/i>, Los Angeles, 1976.<\/p>\n
Bowers, Faubion: The Drama in the East: A Survey of Asian Dance and Drama<\/i>, New York, 1956.<\/p>\n
Brandon, James R. (ed.) Asian Theatre: A Study Guide and Annotated Bibliography<\/i>. Theatre Perspectives, No.1, New York, 1979.<\/p>\n
Brandon, James R.: Brandon\u2019s Guide to Theatre in Asia<\/i>, Honolulu, 1976.<\/p>\n
Brandon, James R.: Theatre in Southeast Asia<\/i>, Cambridge, 1967.<\/p>\n
Das Theatre des Fernen Ostens, \u201d… Ich Werde deinen Schatten essen\u201d<\/i>, Berlin, 1985.<\/p>\n
Ghulam-Sarwar Yousof: Dictionary of Traditional South-East Asian Theatre<\/i>, Singapore, 1994.<\/p>\n
Kindermann, Heinz (ed.): Fern\u00f6stliches Theater<\/i>, Stuttgart, 1966.<\/p>\n
Miettinen, Jukka O.: Classical Dance and Theatre in South-East Asia<\/i>, Singapore, 1992.<\/p>\n
Siyan, Liu (ed.): Routledge Handbook of Asian Theatre<\/i>, London and New York, 2016.<\/p>\nIndia<\/h2>\n
Baldissera, Fabrizia & Michael, Axel: Der Indische Tanz<\/i>, K\u00f6ln, 1988.<\/p>\n
Dancing to the Flute: Music and Dance in Indian Art<\/i>, Sydney, 1997.<\/p>\n
Das Gupta, Jyotirinda: Indian theatre<\/i>, New Delhi, 1995.<\/p>\n
Gargi, Balwant: Folk Theatre of India<\/i>, Washington, 1966.<\/p>\n
Gargi, Balwant: Theatre in India<\/i>, New York, 1962.<\/p>\n
Hawley, John Stratton: At Play with Krishna. Pilgrimage Dramas from Brindavan<\/i>, Princeton 1981.<\/p>\n
Jain, Jyotindra: Picture Showmen: Insights into the Narrative Tradition in Indian Art<\/i>, Mumbai, 1998.<\/p>\n
Kalidasa: The Recognition of Shakuntala<\/i> (transl. W.J.Johnson), New York, 2001.<\/p>\n
Karanth, Shivarama K.: Yakshagana<\/i>, New Delhi, 1997.<\/p>\n
Khokar, Mohan: Traditions of Indian Dance<\/i>, London, 1979.<\/p>\n
Kothari, Sunil (ed.): Bharata Natya: Indian Classical Dance<\/i>, Bombay, 1979.<\/p>\n
Narayan, Shovana: Kathak: Rythmic Echoes and Reflections<\/i>, New Delh,i 1998.<\/p>\n
The Natya Sastra<\/i> (Raga Nrtya Series No 2), Delhi, s.a.<\/p>\n
The Performing Arts<\/i>, Bombay, 1982.<\/p>\n
Paniker, Nirmala: Nangiar Koothu: The Classical Dance-Theatre of the Nangiars<\/i>, Trichur, 2005.<\/p>\n
Rebling, Eberhard: Die Tanzkunst Indiens<\/i>, Berlin, 1981.<\/p>\n
Richmon, Farley P.: Indian Theatre<\/i>, Honolulu, 1990.<\/p>\n
Sarabhai, Mallika (ed.): Performing Arts of Kerala<\/i>, Middletwon, 1994.<\/p>\n
Sanskrit Drama in Performance<\/i> (ed. Rachel Van M. Baumer & James R. Brandon), Honolulu, 1972.<\/p>\n
Singha, Rina & Massey, Reginald: Indian Dances<\/i>. Their History and Growth, London, 1967.<\/p>\n
Shivaji, Bharati: The Art of Mohiniyattam<\/i>, New Delhi, 1986.<\/p>\n
Three Sanskrit Plays<\/i> (transl. Michael Coulson), Harmondsworth, 1981.<\/p>\n
Vatsyayan, Kapila: Classical Indian Dance in Literature and Arts<\/i>, New Delhi, 1968.<\/p>\n
Vatsyayan, Kapila: Indian Classical Dances<\/i>, New Delhi, 1974.<\/p>\n
Vatsyayan, Kapila: Bharata: The Natyashastra<\/i>, New Delhi, 1996.<\/p>\n
Venu, G.: Production of a Play in Kutiyattam<\/i>, Trichur, 1989.<\/p>\n
Venu, G.: Puppetry and Lesser Known Dance Traditions of Kerala<\/i>, Trichur, 1990.<\/p>\n
Venu, G.: The Language of Kathakali<\/i>, Trichur, 2000.<\/p>\n
Zarrilli, Philip: The Kathakali Complex. Actor, Performance & Structure<\/i>, New Delhi, 1984.<\/p>\nSri Lanka<\/h2>\n
Seneviratna, Anuradha: Traditional Dance of Sri Lanka<\/i>, Colombo, 1984.<\/p>\n
Goonatilleka, M. H.: Masks and Mask Systems of Sri Lanka<\/i>, Colombo, 1978.<\/p>\n
Sarachachandra, E.R.: The Folk Drama of Ceylon<\/i>, Colombo, 1966.<\/p>\n
Schubert, Rose: Rukada, Puppenspiel in Sri Lanka<\/i>, M\u00fcnchen, 1982.<\/p>\n
Scott, David: Formations of Ritual. Colonial and Anthropological Discourses on the Sinhala\u00a0<\/em>Yaktovil,\u00a0<\/i>Minneapolis, London, 1994.<\/p>\n Wirz, Paul: Exorzismus und Heilkunde auf Ceylon<\/i>, Bern, 1941, English version: Exorcism and the Art of Healing in Ceylon<\/i>, Leiden, 1954.<\/p>\n Kapferer, Bruce: A Celebration of Demons. Exorcism and the Aesthetics of Healing in Sri Lanka<\/i>, Bloomington, 1983.<\/p>\n Pertold, Otaker: Ceremonial Dances of the Sinhalese. An Inquiry into Sinhalese Folk Religion<\/i>, 1930 (orig.), repr. 1973, Dehiwala.<\/p>\n Bentharage, Lionel: The Art of Mask Making in Sri Lanka<\/i>, Colombo, 2015<\/p>\n Raghavan, M.D.: Sinhala N\u00e4tum. Dances of the Sinhalese<\/i>,\u00a0 Colombo, 1967.<\/p>\n Pe Hla (ed.): Konmara Pya Zat: An Example of Popular Burmese Drama in XIX Century by U Pok Ni<\/i>, Vol I, London, 1952.<\/p>\n Maung Htin Aung, Burmese Drama: A Study, with Translations, of Burmese Plays<\/i>, Calcutta, 1937.<\/p>\n Maung Khe Sein & Whitney, Joseph A.: The Great Po Sein<\/i>, 1st edition, Bloomington 1965, 2nd edition Bangkok, 1998.<\/p>\n Singer, Noel F.: Burmese Dance and Theatre<\/i>, Singapore, 1995.<\/p>\n Singer, Noel F.: Burmese Puppets<\/i>, Singapore, 1992.<\/p>\n Ma Thanegi: The Illusion of Life: Burmese Marionettes<\/i>, Bangkok, 1994.<\/p>\n Zaw Pale & Kuin Win New: Oba Thaung who Systematised the Myanma Dance<\/i>, Yangon, 1998.<\/p>\n Broman, Sven: Shadows of Life, Nang Talung: Thai Popular Shadow Theatre<\/i>, Bangkok, 1996.<\/p>\n HH Prince Dhaninivat Kromamun Bidyalabh Bridyakorn: Shadow Play (the Nang)<\/i>, in Thai Culture, New Series Mo. 3, Bangkok, 1973.<\/p>\n HH Prince Dhaninivat Kromamun Bidyalabh Bridyakorn and Danith Yupho: The Khon<\/i>, Thai Culture, New Series No. 6, Bankok, 1973.<\/p>\n Danith Yupho: The Khon and Lakon: Dance Dramas Presented by the Department of Fine Arts<\/i>, Bangkok, 1963.<\/p>\n Danith Yupho: Khon Masks<\/i>, Thai Culture, New Series No. 7, Bangkok, 1971.<\/p>\n Danith Yupho: The Preliminary Course of Training in Thai Theatrical Art<\/i>, Thai Culture, New Series No. 13, Bangkok, 1980.<\/p>\n Dressing Gods & Demons \u2013 Costume for Khon<\/i>. Bangkok, 2011.<\/p>\n Ingersol, Fern S. (transl.): Sang Thong: A Dance Drama from Thailand, Written by King Rama II and the poets of His Court<\/i>, Rutland & Tokyo, 1973.<\/p>\n Khon: Thai Masked Dance<\/i>, Bangkok, 2006.<\/p>\n Mattani Rutnin (ed.): The Siamese Theatre: A Collection of Reprints from the Journals of the Siam Society<\/i>, Bangkok, 1975.<\/p>\n Mattani Mojdara Rutnin: Dance, Drama, and Theatre in Thailand: The Process of Development and Modernization<\/i>, Tokyo 1993.<\/p>\n Natthapatra Chandavij & Promporn Pramualratana: Thai Puppets and Khon Masks<\/i>, Bangkok, 1998.<\/p>\n Nora, A Living Dance Tradition of Southern Thailand<\/i> (compilers Pornrat Damrhung and Lowell Skar). Bangkok, 2021.<\/p>\n Surapone Virulrak: Performing Arts during the Reign of King Rama IV<\/i>, SPAFA Journal Vol. 9 No. 3, Bangkok, 1999.<\/p>\n Heywood, Denise: Cambodian Dance: Celebration of the Gods<\/i>, Bangkok, 2008.<\/p>\n Keo Naram, Prum Sisaphanatha: Apsara Dance<\/i>. Phnom Penh, 2003.<\/p>\n Phim, Toni Samantha & Thomson, Ashley: Dance in Cambodia<\/i>, Kuala Lumpur, 1999.<\/p>\n Royal Cambodian Ballet<\/i>, Phnom Penh, 1963.<\/p>\n Ghulam-Sarwar Yosof: Panggung Semar: Aspects of Traditional Malay Theatre<\/i>, Petaling Jaya, 1992.<\/p>\n Sheppard, Mubin: A Royal Pleasure Ground, Malay Decorative Arts and Pastimes<\/i>, Singapore, 1986.<\/p>\n Sweeney, Amin: Malay Shadow Puppets: The Wayang Siam of Kelantan<\/i>, London, 1972.<\/p>\n Nguyen Loc & Vo Van Tuong: Vietnam\u2019s Hat Boi Theatre Art<\/i>, Hanoi, 1994.<\/p>\n Nguyen Huy Hong & Tran Trung Chinh: Vietnamese Traditional Water Puppetry<\/i>, Hanoi, 1992.<\/p>\n Song Ban: The Vietnamese Theatre<\/i>, Hanoi, 1960.<\/p>\n Than Van Khe: Marionettes sur eau de Vietnam<\/i>, Paris, 1984.<\/p>\n Bandem, I Made & deBoer, Frederik Eugene: Kaja and Kelod: Balinese Drama in Transition<\/i>, Singapore, 1981.<\/p>\n Bandem, I Made: Wayang Wong<\/i>, Denpasar, 2001.<\/p>\n Brandon, James R: On Thrones of Gold: Three Javanese Shadow Plays<\/i>, Cambridge, 1970.<\/p>\n Buurman, Peter: Wayang Golek: The Entrancing World of Classical Javanese Puppet Theatre<\/i>, Singapore, 1988.<\/p>\n Didia, I Wayan & Ballinger, Rucina: Balinese Dance, Drama and Music<\/i>: A Guide to the Performing Arts of Bali<\/i>, Singapore, 2004.<\/p>\n van Groenendael, Victoria M.Clara: Wayang Theatre in Indonesia: An Annotated Bibliography<\/i>, Leiden, 1987.<\/p>\n Herbert, Mimi: Voices of the Puppet Masters: The Wayang Golek Theatre of Indonesia<\/i>, Jakarta, 2002.<\/p>\n Holt, Claire: Art in Indonesia<\/i>, Ithaca, 1967.<\/p>\n Mulyono, Sri: Human Character in the Wayang<\/i>, Singapore, 1981.<\/p>\n Van Ness, Edward C. & Prawirohardjo, Shita: Javanese Wayang Kulit: An Introduction<\/i>, Singapore, 1979.<\/p>\n Performing Arts<\/i>, Indonesian Heritage Series, Singapore, 1998.<\/p>\n Rebling, Eberhard: Die Tantzkunst Indonesiens<\/i>, Berlin, 1989.<\/p>\n Slattum, Judy & Paul Schraub: Balinese Masks: Spirits of an Ancient Drama<\/i>, Singapore, 2003.<\/p>\n Soedarsono: Dances of Indonesia<\/i>, Jakarta, 1974.<\/p>\n Soedarsono: Wayang Wong: The State Ritual Dance Drama in the Court of Yogyakarta<\/i>, Yogyakarta, 1984.<\/p>\n de Zoete, Beryl & Spies, Walter: Dance and Drama in Bali<\/i>, London 1938, Singapore, 1973.<\/p>\n Chinese Dance<\/i> (ed. Zi Huayun), in the Chinese Culture and Arts Series, Beijing, 1999.<\/p>\n Chinese Theatre<\/i> (ed. Zhang Yihe), in the Chinese Culture and Arts Series, Beijing, 1999.<\/p>\n Dolby, William: A History of Chinese Drama<\/i>, London, 1976.<\/p>\n Halson, Elisabeth: Peking Opera<\/i>, Hong Kong, 1982.<\/p>\n Jiang, Jin: Women Playing Men. Yue Opera and Social Change in Twentieth Century Shanghai<\/i>. Seattle and London, 2009.<\/p>\n Liu Jung-e (transl.): Six Yuan Plays<\/i>, Middlesex, 1972.<\/p>\n Mackerras, Colin P.: The Rise of the Peking Opera, 1770\u20131870: Social Aspects of the Theatre in Manchu China<\/i>, Oxford, 1972.<\/p>\n Mackerras, Colin P.: The Chinese Theatre in Modern Times, from 1840 to the Present Day<\/i>, London, 1975.<\/p>\n Mackerras, Colin: Chinese Drama: A Historical Survey<\/i>, Beijing, 1990.<\/p>\n Mackerras, Colin (ed.): Chinese Theater: From Its Origin to the Present Day<\/i>, Hawaii, 1983.<\/p>\n Malligan, Jean (transl.): The Lute, Kao Ming\u2019s P\u2019i-p\u2019a<\/i>, New York, 1980.<\/p>\n Modern Chinese Drama<\/i> (ed. Tian Benxiang), in the Chinese Culture and Art Series, Beijing, 1999.<\/p>\n Nygren, Christina: Frukter fr\u00e5n P\u00e4rontr\u00e4dg\u00e5rden: Teater i Kina<\/i>, Stockholm, 1986.<\/p>\n Pan Xiafeng: The Statecraft of Peking Opera<\/i>, Beijing, 1995.<\/p>\n Pimpaneau, Jacques: Promenade au jardin des poiriers<\/i>, Paris, 1983.<\/p>\n Scott, Adolphe Clarence: The Classical Theatre in China<\/i>, London, 1957.<\/p>\n Scott, Adolphe Clarence: Traditional Chinese Plays<\/i>, vol. I\u2013III, Wisconsin 1967, 1969, 1975.<\/p>\n Wu Zuguang & Huang Zuolin & Mei Shaowu: Peking Opera and Mei Lanfang: A Guide to China\u2019s Traditional Theatre And the Art of Its Great Master<\/i>, Beijing, 1980.<\/p>\n Yang Xianyi & Yang Gladys (transl.): Selected Plays of Guan Hanqing<\/i>, Beijing 1979.<\/p>\n Zhao Menglin & Yan Jiqing: Peking Opera Painted Faces: With Notes on 200 Operas<\/i>, Beijing, 1992.<\/p>\n Xu Chengbei: Peking Opera<\/i>, in the Cultural China Series, Beijing, 2003.<\/p>\n Cho Dong-il: <\/b>Korean Mask Dance<\/i>, Seoul, 2005.<\/p>\n Killick, Andrew: In Search of Korean Traditional Opera. Discourses on Ch\u2019angguk<\/i>. Honolulu, 2010.<\/p>\n Korean Dance, Theater & Cinema<\/i>, Seoul, 1983.<\/p>\n Performing Arts<\/i>, in the series of Korean Cultural Heritage (several writers), Seoul, 1997.<\/p>\n Arnott, Peter D.: The Theatres of Japan<\/i>, New York, 1969.<\/p>\n Aubray S. & Halford, Giovanna M.: The Kabuki Handbook<\/i>, Tokyo, 1956.<\/p>\n Bowers, Faubion: Japanese Theatre<\/i>, Tokyo, 1974.<\/p>\n Brandon, James R.: Kabuki: Five Classic Plays<\/i>, Honolulu, 1992.<\/p>\n Brandon, James R. & Malm, William P. & Shively, Donald H.: Studies in Kabuki: Its Acting, Music and Historical Context<\/i>, Honolulu, 1979.<\/p>\n Cavaye, Ronald & Griffith, Paul & Senda, Akihiko: A Guide to the Japanese Stage: From Traditional to Cutting Edge<\/i>, Tokyo, 2004.<\/p>\n Ernst, Eale: The Kabuki Theatre<\/i>, New York, 1956.<\/p>\n Gunji, Masakatsu: Kabuki<\/i>, Tokyo, 1985.<\/p>\n Keene, Donald (transl.): Four Major Plays of Chikamatsu<\/i>, New York, 1961.<\/p>\n Komparu, Kunio: The Noh Theater, Principals and Perspectives<\/i>, New York, Tokyo, 1983.<\/p>\n Rimer J. Thomas & Masakazu, Yamazaki (transl.): On The Art of the No Drama: The Major Treatises of Zeami, Princeton, 1984.<\/p>\n Takaya, Ted T. (ed.): Modern Japanese Drama, An Anthology<\/i>, New York, 1979.<\/p>\n Tyler, Royall (transl.): Japanese No Dramas<\/i>, London, 1992.<\/p>\n Yoshinabu, Inoura & Toshio, Kawatake: The Traditional Theatre of Japan<\/i>, New York, Tokyo, 1981<\/p>\n Zeami: The Flowering Spirit: Classic Teachings in the Art of No<\/i>, (transl. William Scott Wilson), Tokyo, New York, London, 2006.<\/p>\n Chang, Dongshing: Representing China on the Historical London Stage. From Orientalism to Intercultural Performance<\/i>. New York, 2015.<\/p>\n Cohen, Matthew Isaac: Performing Otherness. Java and Bali on International Stages, 1905\u20131952<\/i>. Basingstoke, 2006.<\/p>\n Eisenstein, Sergei: The Unexpected<\/i>. In: Kirby, E.T. (ed.) Total Theatre. A Critical Anthology. New York, 1969.<\/p>\nMyanmar (Burma)<\/h2>\n
Thailand<\/h2>\n
Cambodia<\/h2>\n
Malaysia<\/h2>\n
Vietnam<\/h2>\n
Indonesia<\/h2>\n
China<\/h2>\n
Korea<\/h2>\n
Japan<\/h2>\n
History of International Exchanges<\/h2>\n