{"id":1773,"date":"2017-06-26T12:29:53","date_gmt":"2017-06-26T09:29:53","guid":{"rendered":"http:\/\/disco.teak.fi\/asia\/?p=1773"},"modified":"2022-11-29T10:13:50","modified_gmt":"2022-11-29T08:13:50","slug":"bharata","status":"publish","type":"post","link":"https:\/\/disco.teak.fi\/asia\/bharata\/","title":{"rendered":"Bharata"},"content":{"rendered":"<p>The person of Bharata, the supposed author of the <i>Natyashastra<\/i>, is a widely discussed topic. Some believe that the treatise is certainly the work of one writer, while it has also been argued, for example, that he is a fictitious person and that the treatise is merely a creation of the long theatrical tradition and several compilers. This is supported by the fact that the word <i>bharata i<\/i>s a synonym for \u201cactor\u201d. It has also been suggested that the name Bharata is an acronym for three syllables, <i>Bha<\/i> referring to the <i>bhava<\/i> or mood, <i>Ra<\/i> referring to the <i>raga<\/i> or type of melody, and <i>Ta<\/i> referring to the <i>tala<\/i> or rhythm, all of them aspects that are essential to the tradition of Indian theatre and dance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The person of Bharata, the supposed author of the Natyashastra, is a widely discussed topic. Some believe that the treatise is certainly the work of one writer, while it has also been argued, for example, that he is a fictitious person and that the treatise is merely a creation of the long theatrical tradition and [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[31],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/1773"}],"collection":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/comments?post=1773"}],"version-history":[{"count":1,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/1773\/revisions"}],"predecessor-version":[{"id":1774,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/1773\/revisions\/1774"}],"wp:attachment":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/media?parent=1773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/categories?post=1773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/tags?post=1773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}