{"id":225,"date":"2017-10-02T17:33:18","date_gmt":"2017-10-02T14:33:18","guid":{"rendered":"http:\/\/disco.teak.fi\/asia\/?p=225"},"modified":"2021-10-19T14:18:19","modified_gmt":"2021-10-19T11:18:19","slug":"early-literary-and-visual-evidence","status":"publish","type":"post","link":"https:\/\/disco.teak.fi\/asia\/early-literary-and-visual-evidence\/","title":{"rendered":"Early Literary and Visual Evidence"},"content":{"rendered":"\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 12%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-225 gallery-columns-8 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri01.jpg'><img width=\"600\" height=\"381\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri01.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-729\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-729'>\n\t\t\t\tA female dancer in a strongly bent position, Polonnoraruwa period, c. 12th century, Colombo Museum <span>Jukka O. Miettinen<\/span>\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>As is often the case in Asia, the early existing textual and visual sources concerning theatre and dance in Sri Lanka also mainly deal with the traditions, which were related to the upper classes of society. The writing of inscriptions and chronicles, as well as the carving of stone reliefs, were done mainly by order of the court or the established religious institutions. Thus these sources mostly give information about the traditions of the ruling classes, not of those of the ordinary rural people.<\/p>\n<p>In general, one can say that, because of its vicinity, the influence of Hindu South India has been strong in Sri Lanka. It can still be recognised in many of the musical instruments as well as in the technique and the aesthetics of some of the Sri Lankan dances.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 12%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-225 gallery-columns-8 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri02.jpg'><img width=\"600\" height=\"400\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri02.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-730\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-730'>\n\t\t\t\tThe abundance of female dancers depicted in temples indicates the popularity of female dancers in older times. A female dancer, Polonnaruwa period, c. 12th century, Colombo Museum <span>Jukka O. Miettinen<\/span>\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri03.jpg'><img width=\"600\" height=\"400\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri03.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-731\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-731'>\n\t\t\t\tDancer in an Indian-derived pose, which indicates flying, Polonnaruwa Period, c. 12th century <span>Jukka O. Miettinen<\/span>\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>Even an inscription from the period before our era mentions forms of theatrical arts. Later, the famous <i>Mahavamsa<\/i> (Great Chronicle), which covers Sri Lanka\u2019s early history until the 4<sup>th<\/sup> century AD, mentions dance in both the court and the temple contexts.<\/p>\n<p>The <i>Culavamsa<\/i> (Lesser Chronicle) widens its scope to include the golden age of the Polonnaruwa period during the rule of King Parakramabahu (1153\u20131186). According to the Chronicle, the king himself was an accomplished dancer and he employed hundreds of dancers at his court. The tradition of large groups of female dancers seems to have been popular.<\/p>\n<p>The religious rites in various temples, both Hindu and Buddhist, involved ceremonial dances, often dedicated to the <i>bodhi<\/i> tree or the Tooth Relic. The most important ceremonies were, and still are, the <i>Peraheras<\/i>, which were organised around the island in the summer months.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 20%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-225 gallery-columns-5 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri04.jpg'><img width=\"408\" height=\"600\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/sri04.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-732\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-732'>\n\t\t\t\tA wooden relief from the Embekke Devala Temple, 14th century <span>Jukka O. Miettinen<\/span>\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>The grandest of them now is the <i>Kandy Perahera<\/i>, organised annually in the former capital of Kandy in order to venerate the sacred Tooth Relic, during which the relic is carried around the city in a spectacular procession of elephants, musicians and dancers.<\/p>\n<p>From the 15<sup>th<\/sup> century onwards poetry gives more detailed information about various forms of dance and theatre. In Hindu temples dances were performed in specific dance halls by temple dancers in much the same way as in contemporary South India.<\/p>\n<p>During the Kandy period (1592\u20131815) royal patronage was given to both temple and court performers. Several institutions were established for music, dance and theatrical arts. A new wave of external influences arrived from India and Europe. The former includes folk theatre forms, such as <i>nadagama<\/i>, and the latter <i>pasku<\/i>, or the Roman Catholic Passion Play.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As is often the case in Asia, the early existing textual and visual sources concerning theatre and dance in Sri Lanka also mainly deal with the traditions, which were related to the upper classes of society. The writing of inscriptions and chronicles, as well as the carving of stone reliefs, were done mainly by order [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":2425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/225"}],"collection":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/comments?post=225"}],"version-history":[{"count":9,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/225\/revisions"}],"predecessor-version":[{"id":3427,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/225\/revisions\/3427"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/media\/2425"}],"wp:attachment":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/media?parent=225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/categories?post=225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/tags?post=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}