{"id":38,"date":"2017-10-02T15:42:22","date_gmt":"2017-10-02T12:42:22","guid":{"rendered":"http:\/\/disco.teak.fi\/asia\/?p=38"},"modified":"2026-05-15T10:28:42","modified_gmt":"2026-05-15T07:28:42","slug":"the-dances-of-the-professional-entertainers-the-early-art-dances","status":"publish","type":"post","link":"https:\/\/disco.teak.fi\/asia\/the-dances-of-the-professional-entertainers-the-early-art-dances\/","title":{"rendered":"The Dances of the Professional Entertainers, the Early \u201cArt\u201d Dances"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">In Korea there has been a particular class of female entertainers which can be compared to the Japanese <em>geishas<\/em>. In Korea these public performers and entertainers are called <em>kisaeng<\/em>. Like the <em>geishas<\/em>, the <em>kisaeng<\/em> women were also often well trained in various forms of the arts, such as music and dance. The performances often took place at drinking parties and in public teahouses.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The <em>kisaeng<\/em> dancers were able to create new compositions by adapting different traditions, such as the shamanistic, Buddhist and court dances. These kinds of creations are called <em>kyobang<\/em> dances. Many of them are now highly valued \u201cart dances\u201d, and some of them are even declared to be \u201cNational Treasures\u201d, although <em>kyobang<\/em> dances were originally performed by female dancers, but now also often by men.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Repertoire<\/h2>\n\n\n\n<div class=\"wp-block-group fig col2 tall\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor22.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor22.jpg\" alt=\"\" class=\"wp-image-517\"\/><\/a><figcaption class=\"wp-element-caption\">Salpuri was created at the beginning of the 20th century <span>Jukka O. Miettinen<\/span><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor23.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor23.jpg\" alt=\"\" class=\"wp-image-518\"\/><\/a><figcaption class=\"wp-element-caption\">The long, white handkerchief is an important element of Salpuri <span>Jukka O. Miettinen<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor24.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor24.jpg\" alt=\"\" class=\"wp-image-519\" style=\"width:736px\"\/><\/a><figcaption class=\"wp-element-caption\">Deep longing is Salpuri\u2019s dominant emotion <span>Jukka O. Miettinen<\/span><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Probably the most famous of all <em>kyobang<\/em> dances is <em>Salpuri<\/em> or the<em> Exorcism Dance<\/em>. Despite its name, <em>salpuri<\/em> does not have any direct ritual function. However, it is accompanied by shamanistic music and its movement technique echoes shamanistic dance.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/239225096?dnt=1&amp;app_id=122963\" width=\"768\" height=\"576\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Video clip: The <em>Salpuri<\/em> number starts slowly in a standing position. Gradually the dancer starts to throw the long handkerchief into the air until it finally lies on the ground. While the emotion grows into deep sadness or longing, the dancer crouches down, and finally almost lies on the floor to reach it. <span>Veli Rosenberg<\/span><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">A long white handkerchief or a scarf plays a major role in the dance. The number starts slowly in a standing position. Gradually the dancer starts to throw the long handkerchief into the air until it finally lies on the ground. While the emotion grows into deep sadness or longing, the dancer crouches down, and finally almost lies on the floor to reach it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Another popular <em>kyobang<\/em> dance is the <em>Monk\u2019s Dance<\/em>, which was created by a dancer who had formerly been a monk. While the performer is dancing he plays a large drum, which is placed on a high stand. The movements of the loose, white monk\u2019s gown and its extended, long sleeves form the highlights of this expressive and hypnotic number.<\/p>\n\n\n\n<div class=\"wp-block-group fig col2 tall\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor25.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor25.jpg\" alt=\"\" class=\"wp-image-520\"\/><\/a><figcaption class=\"wp-element-caption\">Another popular kyobang dance is the Buddhist-influenced Monk\u2019s Dance, also created at the beginning of the 20th century <span>Jukka O. Miettinen<\/span><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor26.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/disco.teak.fi\/asia\/wp-content\/uploads\/2017\/10\/kor26.jpg\" alt=\"\" class=\"wp-image-521\"\/><\/a><figcaption class=\"wp-element-caption\">The movements of the long sleeves dominate the Monk\u2019s Dance <span>Jukka O. Miettinen<\/span><\/figcaption><\/figure>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In Korea there has been a particular class of female entertainers which can be compared [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2505,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-38","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-korea"],"_links":{"self":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":11,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/38\/revisions"}],"predecessor-version":[{"id":4894,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/posts\/38\/revisions\/4894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/media\/2505"}],"wp:attachment":[{"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/media?parent=38"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/categories?post=38"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disco.teak.fi\/asia\/wp-json\/wp\/v2\/tags?post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}