 {"id":3399,"date":"2017-10-19T17:24:11","date_gmt":"2017-10-19T14:24:11","guid":{"rendered":"https:\/\/disco.teak.fi\/esityspaikka\/?p=3399"},"modified":"2025-09-22T15:03:45","modified_gmt":"2025-09-22T12:03:45","slug":"lahdeluettelo","status":"publish","type":"post","link":"https:\/\/disco.teak.fi\/esityspaikka\/lahdeluettelo\/","title":{"rendered":"L\u00e4hdeluettelo"},"content":{"rendered":"\n<p>Adorno, Theodor W. 1998. \u201dPrismen. Kulturkritik und Gesellschaft\u201d teoksessa<em> Gesammelte Schriften<\/em>, 10, toim. Rolf Tiedemann. Darmstadt: Wissenschaftliche Buchgesellschaft.<\/p>\n\n\n\n<p>Airaksinen, Timo. 2003. <em>Tekniikan suuret kertomukset. Filosofinen raportti<\/em>. Helsinki: Otava.<\/p>\n\n\n\n<p>Albertov\u00e1, Helena. 2012. <em>Josef Svoboda Sc\u00e9nograf. <\/em>Praha: Institut um\u0117n\u00ed.<\/p>\n\n\n\n<p>Annuss, Evelyn. 2019. <em>Volkschule des Theaters. Nationalsozialistische Massenspiele<\/em>. 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Basingstoke: Palgrave Macmillan.<\/p>\n\n\n\n<p>Bell, John. 2007. \u201dBread and Puppet and the Possibilities of Puppet Theater\u201d teoksessa Harding &amp; Rosenthal.<\/p>\n\n\n\n<p>Benjamin, Walter. 1989. <em>Messiaanisen sirpaleita. Kirjoituksia kielest\u00e4, historiasta ja pelastuksesta<\/em>, toim. Markku Koski &amp; Keijo Rahkonen &amp; Esa Sironen. Jyv\u00e4skyl\u00e4: Kansan Sivistysty\u00f6nliitto, Tutkijaliitto.<\/p>\n\n\n\n<p>Berghaus, G\u00fcnter. (toim.) 1996. <em>Fascism and Theatre. Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925\u20131945.<\/em> Providence: Berghahn Books.<\/p>\n\n\n\n<p>Berghaus, G\u00fcnter (toim.) 2004.<em> New Perspectives on Prehistoric Art. <\/em>Westport, Connecticut: Praeger.<\/p>\n\n\n\n<p>Berghaus, G\u00fcnter. 2010. <em>Theatre, Performance and the Historical Avant-garde. <\/em>Houndsmills, Basingstoke: Palgrave Macmillan.<\/p>\n\n\n\n<p>Berghaus, G\u00fcnter. 2012. \u201dThe Futurist Conception of Gesamtkunstwerk and Marinetti\u2019s Total Theatre.\u201d <em>Italogramma<\/em>, 4. <a rel=\"noreferrer noopener\" href=\"http:\/\/italogramma.elte.hu\/wp-content\/files\/Italogramma_Sul_fil_283-302_Berghaus.pdf\" target=\"_blank\">http:\/\/italogramma.elte.hu\/wp-content\/files\/Italogramma_Sul_fil_283-302_Berghaus.pdf<\/a> (haettu 23.4.2018).<\/p>\n\n\n\n<p>Bergmann, Ernst. 1906. <em>Der Fall Reinhardt oder der k\u00fcnstlerische Bankerott des Deutschen Theaters zu Berlin. Eine kritische Studie<\/em>. Berlin: Dr. E. Bergmanns.<\/p>\n\n\n\n<p>Bergstr\u00f6m, Kirsti. 2015. \u201dLuonnonmukaisuus ja kuva antiikin kuvataiteessa\u201d teoksessa <em>Perspektiivi kuvataiteen historiassa<\/em>, toim. Johanna Vakkari. Helsinki: Gaudeamus.<\/p>\n\n\n\n<p>Bermbach, Udo. 2004. <em>Der Wahn des Gesamtkunstwerks. Richard Wagners politisch-\u00e4sthetische Utopie<\/em>. Stuttgart: Metzler.<\/p>\n\n\n\n<p>Bermbach, Udo. 2012. \u201dDie Bayreuther Festspiele. Idee \u2013 Ideologie \u2013 Identit\u00e4t \u2013 historische Einbindung.\u201d teoksessa Fischer-Lichte &amp; Warstat &amp; Littmann.<\/p>\n\n\n\n<p>Bermingham, Ann. 2016. <em>Technologies of Illusion. De Loutherbourgh\u2019s Eidophusikon in Eighteenth-Century London<\/em>. London: Association of Art Historians.<\/p>\n\n\n\n<p>Bieber, Margarete. 1971. <em>The History of the Greek and Roman Theatre<\/em>. Princeton, New Jersey: Princeton University Press.<\/p>\n\n\n\n<p>Biccari, Gaetano. 2001. <em>\u201d<\/em><em>Zuflucht des Geistes\u201d? Konservativ-revolution\u00e4re, faschistische und nationalsozialistische Theaterdiskurse in Deutschland und Italien 1900\u20131944<\/em>. T\u00fcbingen: Narr.<\/p>\n\n\n\n<p>Blake, Bill. 2014. <em>Theatre &amp; the Digital. <\/em>Basingstoke: Palgrave Macmillan.<\/p>\n\n\n\n<p>Boal, Augusto. 1989. <em>The Theatre of the Oppressed. <\/em>London: Pluto Press.<\/p>\n\n\n\n<p>Boal, Augusto. 1998. <em>Legislative Theatre. Using Performance to Make Politics. <\/em>London: Routledge.<\/p>\n\n\n\n<p>Boehm, Jukka von. 2018. \u201dTalvipalatsin valtaus -massaspektaakkeli. 1900-luvun keskeisen historiamyytin j\u00e4ljill\u00e4\u201d teoksessa <em>Esitys ja toiseus<\/em>, toim. Anna Thuring &amp; Anu Koskinen &amp; Tuija Kokkonen. Helsinki: Teatterintutkimuksen seura. <a href=\"https:\/\/teats.fi\/wp-content\/uploads\/2018\/11\/N\u00e4ytt\u00e4m\u00f6-tutkimus-7.-Esitys-ja-toiseus.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/teats.fi\/wp-content\/uploads\/2018\/11\/N\u00e4ytt\u00e4m\u00f6-tutkimus-7.-Esitys-ja-toiseus.pdf<\/a> (haettu 21.6.2021).<\/p>\n\n\n\n<p>Bomberger, Douglas E. 1998. \u201dThe Neues Schauspielhaus in Berlin and the Premiere of Carl Maria von Weber\u2019s Freisch\u00fctz\u201d teoksessa <em>Opera in Context<\/em>, toim. Mark A. Radice. Portland, Oregon: Amadeus Press.<\/p>\n\n\n\n<p>Borch, Christian. 2012. <em>The Politics of Crowds. An Alternative History of Sociology.<\/em> Cambridge: Cambridge University Press.<\/p>\n\n\n\n<p>Borchmeyer, Dieter. 1982. <em>Das Theater Richard Wagners. Idee, Dichtung, Wirkung<\/em>. Stuttgart: Reclam.<\/p>\n\n\n\n<p>Bratton, Jacky. 2003. \u201dCurtain\u201d teoksessa <em>The Oxford Encyclopedia of Theatre &amp; Performance,<\/em> toim. Dennis Kennedy. Oxford: Oxford University Press.<\/p>\n\n\n\n<p>Braun, Edward. 1995. <em>Meyerhold. A Revolution in Theatre<\/em>. Iowa City: University of Iowa Press.<\/p>\n\n\n\n<p>Braun, Nicola. (toim.) 2018.<em> Margravial Opera House Bayreuth<\/em>. M\u00fcnchen: Bayerische Schl\u00f6sserverwaltung.<\/p>\n\n\n\n<p>Brecht, Bertolt. 1991. <em>Kirjoituksia teatterista. <\/em>Helsinki: VAPK-kustannus.<\/p>\n\n\n\n<p>Brockett, Oscar G. 1979<em>. Historical Edition. The Theatre. An Introduction<\/em>. New York: Holt, Rinehart and Winston.<\/p>\n\n\n\n<p>Brockett, Oscar G. &amp; Hildy, Franklin J. 2008. <em>History of the Theatre<\/em>. Boston: Pearson.<\/p>\n\n\n\n<p>Brockett, Oscar G. &amp; Mitchell, Margaret &amp; Hardberger, Linda. 2010. <em>Making the Scene. A History of Stage Design and Technology in Europe and the United States<\/em>. San Antonio: Tobin Theatre Fund.<\/p>\n\n\n\n<p>Brook, Peter. 1972. <em>Tyhj\u00e4 tila. Nykyteatterista ja sen mahdollisuuksista. <\/em>Porvoo: WSOY.<\/p>\n\n\n\n<p>Brook, Peter. 1995. <em>The Open Door. <\/em>New York: Anchor Books.<\/p>\n\n\n\n<p>Brook, Peter. 1998. <em>Threads of Time. A Memoir. <\/em>London: Methuen.<\/p>\n\n\n\n<p>Broyles-Gonz\u00e1les, Yolanda. 2007. \u201dRe-Constructing Collective Dynamics. El Teatro Campesino from a Twenty-First-Century Perspective\u201d teoksessa Harding &amp; Rosenthal.<\/p>\n\n\n\n<p>Burian, Jarka. 1983. <em>The Scenography of Josef Svoboda<\/em>. Middletown, Connecticut: Wesleayn University Press.<\/p>\n\n\n\n<p>Burzy\u0144ski, Tadeusz &amp; Osi\u0144ski, Zbigniew. 1979. <em>Grotowski\u2019s Laboratory. <\/em>Warsaw: Interpress Publishers.<\/p>\n\n\n\n<p>Canning, Charlotte. 2007. \u201dThe Beautiful Legs of Feminist Theater. At the Foot of the Mountain and Its Legacy\u201d teoksessa Harding &amp; Rosenthal.<\/p>\n\n\n\n<p>Carlson, Marvin. 1978. <em>Goethe and the Weimar Theatre<\/em>. Ithaca: Cornell University Press.<\/p>\n\n\n\n<p>Carlson, Marvin. 1989. <em>Places of Performance. The Semiotics of Theatre Architecture. <\/em>Ithaca: Cornell University Press.<\/p>\n\n\n\n<p>Carter, Huntly. 1964. <em>The Theatre of Max Reinhardt<\/em>. New York: Blom.<\/p>\n\n\n\n<p>Chapple, Freda &amp; Kattenbelt, Chiel. 2006. <em>Intermediality in Theatre and Performance<\/em>. Amsterdam: Rodopi.<\/p>\n\n\n\n<p>Chaudhuri, Una. 1995. <em>Staging Place. The Geography of Modern Drama. <\/em>Ann Arbor: University of Michigan Press.<\/p>\n\n\n\n<p>Centro de Teatro do Oprimido <a href=\"https:\/\/www.ctorio.org.br\/home\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.ctorio.org.br\/home\/<\/a> (haettu 4.7.2019).<\/p>\n\n\n\n<p>Cohen-Cruz, Jan. 2007. \u201dComforting the Afflicted and Afflicting the Comfortable. 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Arbeitermassenspiel und NS-Thingspiel.\u201d <a href=\"https:\/\/www.researchgate.net\/publication\/237587433_Das_Fest_der_Bewegung_-_Arbeitermassenspiel_und_NS-Thingspiel\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.researchgate.net\/publication\/237587433_Das_Fest_der_Bewegung_-_Arbeitermassenspiel_und_NS-Thingspiel<\/a> (haettu 21.6.2021).<\/p>\n\n\n\n<p>Edstr\u00f6m, Per. 1990. <em>Varf\u00f6r inte teaterlokaler f\u00f6r m\u00e4nniskor. <\/em>V\u00e4rmd\u00f6: Arena Teater Institutet.<\/p>\n\n\n\n<p>Edstr\u00f6m, Per &amp; Piha, Pentti. 1976. <em>Rum och teater. <\/em>Oslo: Gyldendal Norsk Forlag.<\/p>\n\n\n\n<p>Edwards, Folke. (toim.) 1988. <em>Futuristisk teater &amp; film<\/em>. Malm\u00f6: F\u00f6rfattarf\u00f6rlaget.<\/p>\n\n\n\n<p>Ervasti, Tarja. (toim.) 2009. <em>Valovuosi, variaatioita valosta<\/em>. Helsinki: Teatterimuseo. DVD.<\/p>\n\n\n\n<p>Ervasti, Tarja. 2017. <em>Valaistuksen historiaa<\/em>. Helsinki: Teatterikorkeakoulu. <a href=\"https:\/\/disco.teak.fi\/valo\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/disco.teak.fi\/valo\/<\/a> (haettu 8.9.2021).<\/p>\n\n\n\n<p>Evreinov, Nikolaj. 2017. \u201dSturm auf den Winterpalast. R\u00fcckblick auf die Inszenierung zu Ehren des 3. Jahrestags der Oktoberrevolution\u201d teoksessa Arns &amp; Chubarov &amp; Sasse.<\/p>\n\n\n\n<p>Ex Machina <a href=\"https:\/\/lacaserne.net\/index2.php\/exmachina\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/lacaserne.net\/index2.php\/exmachina\/<\/a> (haettu 3.6.2019).<\/p>\n\n\n\n<p>Fairbrother, Trevor &amp; al. 1991. <em>Robert Wilson\u2019s Vision. An Exhibition of Works by Robert Wilson with a Sound Environment by Hans Peter Kuhn. <\/em>Boston: Museum of Fine Arts.<\/p>\n\n\n\n<p>Falk, Florence. 1999. \u201dSetting as Consciousness\u201d teoksessa <em>Richard Foreman, <\/em>toim. 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(toim.) 2012. <em>Theater und Fest in Europa. Perspektiven von Identit\u00e4t und Gemeinschaft<\/em>. T\u00fcbingen: Francke.<\/p>\n\n\n\n<p>Foitzik Kirchgraber, Renate. 2003. <em>Lebensreform und K\u00fcnstlergruppierungen um 1900<\/em>. Universit\u00e4t Basel. <a rel=\"noreferrer noopener\" href=\"https:\/\/edoc.unibas.ch\/671\/1\/DissB_6566.pdf\" target=\"_blank\">https:\/\/edoc.unibas.ch\/671\/1\/DissB_6566.pdf<\/a> (haettu 18.6.2021).<\/p>\n\n\n\n<p>Foley, Kathy. 2016. \u201dSoutheast Asia\u201d teoksessa <em>Routledge Handbook of Asian Theatre<\/em>, toim. Siyan Liu. London: Routledge.<\/p>\n\n\n\n<p>Forest Walk <a href=\"https:\/\/cardiffmiller.com\/walks\/forest-walk\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/cardiffmiller.com\/walks\/forest-walk\/<\/a> (haettu 4.8.2019).<\/p>\n\n\n\n<p>Forsyth, Alison &amp; Megson, Chris. (toim.) 2011. <em>Get Real. Documentary Theatre, Past and Present<\/em>. 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