{"id":3106,"date":"2021-06-30T15:26:44","date_gmt":"2021-06-30T12:26:44","guid":{"rendered":"https:\/\/disco.teak.fi\/tanssin-historia\/?p=3106"},"modified":"2025-05-16T15:29:03","modified_gmt":"2025-05-16T12:29:03","slug":"chapter-6","status":"publish","type":"post","link":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/chapter-6\/","title":{"rendered":"Multiplicity of Contemporary Dance"},"content":{"rendered":"\n<p>The closer we get to the present day, the more diverse dance art becomes. The aesthetic and stylistic features and changes in dance, in terms of languages of expression, no longer follow one another chronologically. Rather, contemporary dance is defined by the parallelism of many historical developments. In the 21st century, dance art is not a homogeneous field of art in terms of aesthetics, artistic aims, production conditions or starting points, but a heterogeneous field that is realised and defined in different frames of reference.<\/p>\n\n\n\n<div class=\"toc-subloop\">\n\n<details class=\"toc-item\"><summary>\n<h2 class=\"toc-title\"><a href=\".\/contemporary-dance-since-the-1990s-a-brief-overview\/\"><span>Kirsi Monni: <\/span>Contemporary Dance Since the 1990s \u2013 a Brief Overview<\/a><\/h2>\n<\/summary><ul>\n<li>The Conceptual, Rhizomic and Perceptual Body<\/li>\n<li>The Politics of Personal Embodiment<\/li>\n<li>Frameworks and Contexts from Different Media to Research<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item\"><summary>\n<h2 class=\"toc-title\"><a href=\".\/the-embodied-practice-of-perception-as-a-starting-point-for-dance-deborah-hay\/\"><span>Kirsi Monni: <\/span>The Embodied Practice of Perception as a Starting Point for Dance \u2013 Deborah Hay<\/a><\/h2>\n<\/summary><ul>\n<li>Practice as Performance and Performance as Perception Practice<\/li>\n<li>The Artistic Process and Performing<\/li>\n<li>Writing, Choreography and Adaptations of Works<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item\"><summary>\n      <h2 class=\"toc-title\"><a href=\".\/black-sensibilities-contemporary-dance-of-an-african-diaspora\/\"><span>Thomas F. DeFrantz: <\/span>Black Sensibilities \u2013 Contemporary Dance of an African Diaspora<\/a><\/h2>\n<\/summary><ul>\n<li>Zora Neale Hurston and Cultural Expression<\/li>\n<li>E. Patrick Johnson and Troubling Blackness, Troubling Race<\/li>\n<li>Black Dance After Race<\/li>\n<li>Fugitive Black<\/li>\n<li>(M)imosa<\/li>\n<li>Fugitive Debt<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item new\"><summary>\n      <h2 class=\"toc-title\"><a href=\".\/decolonising-perspectives-on-histories-nora-chipaumire-and-contemporary-african-choreography\/\"><span>Jana Unm\u00fc\u00dfig: <\/span>Decolonising Perspectives on Histories \u2013 nora chipaumire and Contemporary African Choreography<\/a><\/h2>\n<\/summary><ul>\n<li>Choreographic rescripting of dance canon as method of unsettling and archiving: <em>The Dark Swan<\/em> (2005\u20132020) and <em>Rite\/Riot<\/em> (2013)\n <\/li>\n<li>Manifold choreographic articulations of contemporary Black African livelihoods<\/li>\n<li>Movement language, voice, audience participation as decolonial choreographic strategies<\/li>\n<li>Finally<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item\"><summary>\n      <h2 class=\"toc-title\"><a href=\".\/discursive-practices-in-choreography-jerome-bel-vera-mantero-and-xavier-le-roy\/\"><span>Kirsi Monni: <\/span>Discursive Practices in Choreography \u2013 J\u00e9r\u00f4me Bel, Vera Mantero and Xavier Le Roy<\/a><\/h2>\n<\/summary><ul>\n<li>The Tricky Definition of \u201cConceptual Dance\u201d<\/li>\n<li>Political Meditation \u2013 Vera Mantero<\/li>\n<li>The Self Unfinished \u2013 Xavier Le Roy<\/li>\n<li>Language and Meaning \u2013 J\u00e9r\u00f4me Bel<\/li>\n<li>Minimalist Early Works 1994\u20131998<\/li>\n<li>The Entertainment, Accessibility and Politics of the Avant-Garde \u2013 Works of the 2000s<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item\"><summary>\n      <h2 class=\"toc-title\"><a href=\".\/la-ribot-embodied-dialogues\/\"><span>Riikka Laakso: <\/span>La Ribot \u2013 Embodied Dialogues<\/a><\/h2>\n<\/summary><ul>\n<li>Miniatures and Their Series: Panoramix (1993\u20132003)<\/li>\n<li>Laughter as Technique, Action and Critique<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item\"><summary>\n      <h2 class=\"toc-title\"><a href=\".\/ableism-in-dance-and-disabled-dancers\/\"><span>Hanna V\u00e4\u00e4t\u00e4inen: <\/span>Ableism in Dance and Disabled Dancers<\/a><\/h2>\n<\/summary><ul>\n<li>Vaudeville and Trailblazers<\/li>\n<li>Dancing Wheels and Inclusive Community<\/li>\n<li>Candoco and the Transformation of Contemporary Dance<\/li>\n<li>Groundbreaking Spinn<\/li>\n<li>The Dance Scene in Finland<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item\"><summary>\n      <h2 class=\"toc-title\"><a href=\".\/dance-film-an-alliance-of-dance-and-moving-image\/\"><span>Hanna Pajala-Assefa: <\/span>Dance Film \u2013 an Alliance of Dance and Moving Image<\/a><\/h2>\n<\/summary><ul>\n<li>Parallel History of Dance and Cinema<\/li>\n<li>With Sound Comes Dance<\/li>\n<li>Experimental Cinema<\/li>\n<li>Postmodern Dance and Cinema<\/li>\n<li>A New Era of Dance Film from the 1980s<\/li>\n<li>Diversity of Cinematic Expression<\/li>\n<\/ul><\/details>\n\n      <h2 class=\"toc-title\"><a href=\".\/dance-art-and-the-internet-age-what-is-the-new-aesthetics-of-dance\/\"><span>Ari Tenhula: <\/span>Dance Art and the Internet Age \u2013 What is the New Aesthetics of Dance?<\/a><\/h2>\n               \n<details class=\"toc-item\"><summary>\n      <h2 class=\"toc-title\"><a href=\".\/dance-and-technology-new-stages-for-mediated-bodies\/\"><span>Hanna Pajala-Assefa: <\/span>Dance and Technology \u2013 New Stages for Mediated Bodies<\/a><\/h2>\n<\/summary><ul>\n<li>Technological Attitudes<\/li>\n<li>Approaching Technology through the Art of Dance<\/li>\n<li>Entanglement of Body and Technology<\/li>\n<\/ul><\/details>\n\n<details class=\"toc-item\"><summary>\n\n      <h2 class=\"toc-title\"><a href=\".\/artist-researcher-and-the-challenge-of-writing\/\"><span>Simo Kellokumpu: <\/span>Artist, Researcher and the Challenge of Writing<\/a><\/h2>\n<\/summary><ul>\n<li>On Artistic Research<\/li>\n<li>The Challenge of Writing<\/li>\n<li>Two Examples of Searching for Words<\/li>\n<li>Artistic Research, Diverse Audiences and the Art World<\/li>\n<\/ul><\/details>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The closer we get to the present day, the more diverse dance art becomes. The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2847,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27,28],"tags":[],"class_list":["post-3106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-6-multiplicity-of-contemporary-dance","category-toc-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/posts\/3106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/comments?post=3106"}],"version-history":[{"count":20,"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/posts\/3106\/revisions"}],"predecessor-version":[{"id":3841,"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/posts\/3106\/revisions\/3841"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/media\/2847"}],"wp:attachment":[{"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/media?parent=3106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/categories?post=3106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disco.teak.fi\/tanssin-historia\/en\/wp-json\/wp\/v2\/tags?post=3106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}