{"id":597,"date":"2023-04-13T11:56:17","date_gmt":"2023-04-13T08:56:17","guid":{"rendered":"https:\/\/disco.teak.fi\/tanssityo\/?post_type=glossary&#038;p=597"},"modified":"2023-04-13T11:56:18","modified_gmt":"2023-04-13T08:56:18","slug":"gonzalez-2021","status":"publish","type":"glossary","link":"https:\/\/disco.teak.fi\/tanssityo\/glossary\/gonzalez-2021\/","title":{"rendered":"Gonzalez 2021"},"content":{"rendered":"<p>Gonzalez, Anita. 2021. &rdquo;Recognizing Race and Class in Dance. Gonzalez Response to Paramana.&rdquo; Teoksessa <em>Performance, dance and political economy: Bodies at the end of the world, <\/em>toim. Katerina Paramana &amp; Anita Gonzalez. London: Bloomsbury Academic.<\/p>","protected":false},"excerpt":{"rendered":"<p>Gonzalez, Anita. 2021. &rdquo;Recognizing Race and Class in Dance. Gonzalez Response to Paramana.&rdquo; Teoksessa Performance, [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-597","glossary","type-glossary","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/disco.teak.fi\/tanssityo\/wp-json\/wp\/v2\/glossary\/597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/disco.teak.fi\/tanssityo\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/disco.teak.fi\/tanssityo\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/tanssityo\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/disco.teak.fi\/tanssityo\/wp-json\/wp\/v2\/glossary\/597\/revisions"}],"predecessor-version":[{"id":598,"href":"https:\/\/disco.teak.fi\/tanssityo\/wp-json\/wp\/v2\/glossary\/597\/revisions\/598"}],"wp:attachment":[{"href":"https:\/\/disco.teak.fi\/tanssityo\/wp-json\/wp\/v2\/media?parent=597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}