{"id":158,"date":"2015-03-27T15:10:24","date_gmt":"2015-03-27T13:10:24","guid":{"rendered":"http:\/\/disco.teak.fi\/valo\/?p=158"},"modified":"2024-09-25T14:40:36","modified_gmt":"2024-09-25T12:40:36","slug":"kuvaluettelo","status":"publish","type":"post","link":"https:\/\/disco.teak.fi\/valo\/kuvaluettelo\/","title":{"rendered":"Kuvaluettelo"},"content":{"rendered":"<h3>Disclaimer<\/h3>\n<p>The publisher has made every effort to contact the copyright holders of images exposed in the European Theatre History Study material and to obtain permission to publish them. This has not been possible in every case,\u00a0however, and we would welcome correspondence from those individuals\/companies whom we have been unable to trace. In case a permission would not be given, the images will be removed as soon as possible. Please contact <a href=\"mailto:lib.teak@uniarts.fi\">lib.teak@uniarts.fi<\/a><\/p>\n<h3>Vastuuvapauslauseke<\/h3>\n<p>Julkaisija on tehnyt kaikkensa tavoittaakseen t\u00e4ss\u00e4 julkaisussa k\u00e4ytettyjen kuvien oikeuksien omistajat ja saadakseen kuville julkaisuluvat. Se ei ole onnistunut kaikissa tapauksissa. Olisimme tyytyv\u00e4isi\u00e4 niiden henkil\u00f6iden\/yhteis\u00f6jen yhteydenotoista, joita emme ole pystyneet j\u00e4ljitt\u00e4m\u00e4\u00e4n. Mik\u00e4li ette halua kuvaa julkaistavan, poistamme sen ensi tilassa. Yhteydenotot <a href=\"mailto:lib.teak@uniarts.fi\">lib.teak@uniarts.fi<\/a><\/p>\n<h2>1 El\u00e4v\u00e4n tulen aika<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/001_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/001_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-221\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-221'>\n\t\t\t\tY\u00f6juhlat Kuningatar Kristiinan kunniaksi Barberinin palatsissa Roomassa. F. Lauron ja F. Gagliardin \u00f6ljymaalaus, 1656. [Wickham, Glynne: Teatterihistoria, v\u00e4rikuva 10]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/013_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/013_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-233\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-233'>\n\t\t\t\tAntiikin teatteri Epidauroksessa, 300-luku eKr. [Wickham, Glynne: Teatterihistoria, v\u00e4rikuva 4]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/002_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/002_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-222\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-222'>\n\t\t\t\tNeitsyen kuolema ja yl\u00f6snousemus, Gerolamo da Vicenza,1488. [Bergman Lighting in the theatre, s. 35]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/014_x.jpg'><img width=\"195\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/014_x-195x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-232\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-232'>\n\t\t\t\tLeonardo da Vincin suunnittelema valaisin, jossa oli v\u00e4rillinen lasikupu. [Bergman Lighting in the theatre, s. 54] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/003_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/003_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-223\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-223'>\n\t\t\t\tCommedia dell&#8217;arten henkil\u00f6hahmot ja tyypillinen lavastus [Bergman, Lighting in the Theatre, s. 150]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/004.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/004-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-225\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/004-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/004-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/004-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-225'>\n\t\t\t\tSerlion ihanteellisen n\u00e4ytt\u00e4m\u00f6n mittasuhteet, pohjapiirros. [Serlio: Scener och teatrar, ur architettura,  s. 11] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/004_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/004_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-224\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-224'>\n\t\t\t\tSerlion ihanteellisen n\u00e4ytt\u00e4m\u00f6n mittasuhteet, poikkileikkaus. [Serlio: Scener och teatrar, ur architettura, s. 8\u20139] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/005_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/005_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-228\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-228'>\n\t\t\t\tTragedialavastus [Serlio: Scener och teatrar, ur architettura, s. 21] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/006_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/006_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-230\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-230'>\n\t\t\t\tSan Salvatoren oopperatalo 1675, n\u00e4ytt\u00e4m\u00f6koneisto [Wickham, Glynne: Teatterihistoria, s. 107]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/006_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/006_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-229\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-229'>\n\t\t\t\tSan Salvatoren oopperatalo 1675, pilvikulissit [Wickham, Glynne: Teatterihistoria, s. 107]\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<h2>2 1700-luvun murros<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/009_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/009_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-235\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-235'>\n\t\t\t\tTeatterin leikkaus, Patte [Bergman Lighting in the theatre, s. 194]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/007_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/007_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-231\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-231'>\n\t\t\t\tSchouwburg, Amsterdam, v. 1760. Voimakas valaistus kulissien v\u00e4leiss\u00e4. [Bergman Lighting in the theatre, s. 213] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/019_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/019_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-634\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-634'>\n\t\t\t\tDavid Garrick Thomas Ottwayn n\u00e4ytelm\u00e4ss\u00e4 Venice Preserv\u2019d. John Zoffany; \u00f6ljymaalaus n. 1760. [Wickham Teatterihistoria, kuva 139] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/020_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/020_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-635\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-635'>\n\t\t\t\tDe Loutherbourg, luolamaiseman luonnos [Bergman Lighting in the theatre, s. 217]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/010_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/010_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-236\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-236'>\n\t\t\t\tDrottningholmin teatteri, sali ja n\u00e4ytt\u00e4m\u00f6 [Drottnningholms Slottteater, s. 12\u201313]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/11\/018_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/11\/018_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-240\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-240'>\n\t\t\t\tLuolainferno, tekij\u00e4 ehk\u00e4 Lorenz Sundsr\u00f6m.  [Beijer, Agne: Drottnningholms slottteater p\u00e5 Lovisa Ulrikas och Gustaf III:s tid, s. 79] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/012_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/012_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-237\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-237'>\n\t\t\t\tDrottningholmin teatteri; ramppivalot, esirippu mekanismeineen, kulissiurat, ukkos- ja tuulikone [Drottnningholms Slottteater, s. 34] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/011_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/011_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-238\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-238'>\n\t\t\t\tDrottningholmin teatteri, sivuvalot takan\u00e4ytt\u00e4m\u00f6lt\u00e4 katsottuna. [Drottnningholms Slottteater, s. 25] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/016_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/016_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-2-239\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-239'>\n\t\t\t\tDrottningholmin teatterisali n\u00e4ytt\u00e4m\u00f6lt\u00e4, ramppivalot ja salin valaistus [Beijer, Agne: Drottnningholms slottteater p\u00e5 Lovisa Ulrikas och Gustaf III:s tid, s. 72] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2>3 1800-luvun n\u00e4ytt\u00e4m\u00f6illuusioita<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-644\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-644'>\n\t\t\t\tTeatro Argentina, Rooma, N\u00e4ytt\u00e4m\u00f6 lavalta n\u00e4htyn\u00e4, 1800-luvun loppupuoli. [Bergman: Lighting in the Theatre, s. 276]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/fantasmagoria.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/fantasmagoria-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-1765\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/fantasmagoria-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/fantasmagoria-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-1765'>\n\t\t\t\tFantasmagoria-esitys, kuparipiirros Robertsonin muistelmateoksesta vuodelta 1831. [Huhtamo, Erkki: El\u00e4v\u00e4n kuvan arkeologia, Gummerus 1997, s. 37]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/022_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/022_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-639\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-639'>\n\t\t\t\tPepper\u2019s Ghost, haamu heijastuu lasilevylle, v.1900 Pariisin maailmann\u00e4yttely. [Polieri Jacques Sc\u00e9nographie Nouvelle, s. 52]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/022_c.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/022_c-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-638\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-638'>\n\t\t\t\tPepper\u2019s Ghost -periaate. [Polieri Jacques Sc\u00e9nographie Nouvelle, s. 52]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/022_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/022_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-637\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-637'>\n\t\t\t\tProjisoitu Pepper\u2019s Ghost, haamu \u2019Teatroskoopilla\u2019 toteutettuna v. 1900 Pariisin maailmann\u00e4yttelyss\u00e4. [Polieri Jacques Sc\u00e9nographie Nouvelle, s. 52]\n\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/015_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/015_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-1297\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-1297'>\n\t\t\t\tLiikkuva, l\u00e4pikuultava taustakangas 1700-luvulta. Kankaan takana valonl\u00e4hde, lattialavastuskappaleita etupuolella. [Bergman Den moderna teaterns genombrott 1890\u20131925, s. 165] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Moving_panorama.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Moving_panorama-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-531\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Moving_panorama-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Moving_panorama-500x500.jpg 500w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Moving_panorama-1000x1000.jpg 1000w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-531'>\n\t\t\t\tLiikkuvan panoraman periaate, v. 1848 John Banvard.  [Wikipedia, Moving panorama 29.11.2015.]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/keskiyonmessu.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/keskiyonmessu-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-636\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-636'>\n\t\t\t\tKeskiy\u00f6n messu Bryn kappelissa.  [l&#8217;Association Louis Daguerre of Bry-sur-Marne, www.midley.co.uk\/diorama\/bry_2001expo.htm]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/056_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/056_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-3-1705\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-1705'>\n\t\t\t\tValkyyriat, 3. n\u00e4yt\u00f6s. Wagnerin ohjauksesta Bayreuthissa 1876.\n[Volbach, Walter: Adolphe Appia Prophet of the Modern Theatre. s. 7] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2>4\u00a0Valaistustekniikka liekist\u00e4 s\u00e4hk\u00f6\u00f6n<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/003_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/003_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-223\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-223'>\n\t\t\t\tCommedia dell&#8217;arten henkil\u00f6hahmot ja tyypillinen lavastus [Bergman, Lighting in the Theatre, s. 150]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Bozze_Compulite-Danor-Stage-lighting-museum.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Bozze_Compulite-Danor-Stage-lighting-museum-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-525\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-525'>\n\t\t\t\tBozze-valaisimen rekonstruktio [Compulite Danor Museum]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Furttenbach-reconstruction.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Furttenbach-reconstruction-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-526\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-526'>\n\t\t\t\tKiillepeilill\u00e4 varustetun valaisimen rekonstruktio. [Compulite Danor Museum]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/016_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/016_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-239\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-239'>\n\t\t\t\tDrottningholmin teatterisali n\u00e4ytt\u00e4m\u00f6lt\u00e4, ramppivalot ja salin valaistus [Beijer, Agne: Drottnningholms slottteater p\u00e5 Lovisa Ulrikas och Gustaf III:s tid, s. 72] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/011_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/011_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-238\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-238'>\n\t\t\t\tDrottningholmin teatteri, sivuvalot takan\u00e4ytt\u00e4m\u00f6lt\u00e4 katsottuna. [Drottnningholms Slottteater, s. 25] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/taikalyhty.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/taikalyhty-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-640\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/taikalyhty-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/taikalyhty-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-640'>\n\t\t\t\tKaksiputkinen taikalyhty 1870\u20131880-luvulta.  [Huhtamo, Erkki: Fantasmagoria. El\u00e4v\u00e4n kuvan arkeologiaa, Suomen elokuva-arkisto 2000, s. 46]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Argand-i-e1473082460647.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Argand-i-e1473082460647-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-353\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-353'>\n\t\t\t\tArgandin lamppu [Compulite Danor Museum]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Argand-principal.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Argand-principal-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-354\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-354'>\n\t\t\t\tArgandin lampun periaate. [Compulite Danor Museum]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/019_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/019_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-634\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-634'>\n\t\t\t\tDavid Garrick Thomas Ottwayn n\u00e4ytelm\u00e4ss\u00e4 Venice Preserv\u2019d. John Zoffany; \u00f6ljymaalaus n. 1760. [Wickham Teatterihistoria, kuva 139] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/029_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/029_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-642\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-642'>\n\t\t\t\tWinsorin luento kaasuvalosta Lyceum-teatterissa v. 1804 [Bergman: Lighting in the Theatre, s. 254]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/030.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/030-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-643\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/030-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/030-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/030-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-643'>\n\t\t\t\tKaasuvalon v\u00e4rinvaihtomekanismi [Rees, Terence: Theatre Lighting in the age of gas. London 1978, s. 36]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-644\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/035_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-644'>\n\t\t\t\tTeatro Argentina, Rooma, N\u00e4ytt\u00e4m\u00f6 lavalta n\u00e4htyn\u00e4, 1800-luvun loppupuoli. [Bergman: Lighting in the Theatre, s. 276]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Limelight-spot-i.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Limelight-spot-i-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-904\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Limelight-spot-i-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Limelight-spot-i.jpg 361w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-904'>\n\t\t\t\tKalkkivalonheitin [Compulite Danor Museum]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/blowtrhoug-i.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/blowtrhoug-i-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-903\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-903'>\n\t\t\t\tKalkkivalon mekanismi. Piikkiin asetettua kalkkikivenpalaa hehkutettiin hapen ja vetykaasun seoksella. [Compulite Danor Museum]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/027_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/027_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-641\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-641'>\n\t\t\t\tQueen Katharine\u2019s dream. Illustrated London News, 26 (1855). [Rees, Terence: Theatre Lighting in the age of gas. London 1978, s. 53]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/breguet-arc-lamp.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/breguet-arc-lamp-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-772\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-772'>\n\t\t\t\tHiilikaarilamppu vuodelta 1857. Valaisimen keksi Victor Serrin ja sit\u00e4 valmisti ranskalainen instrumenttivalmistaja Breguet. [www.sparkmuseum.com\/LIGHTING.HTM]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/041_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/041_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-648\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-648'>\n\t\t\t\tKaarivalolla toteutettu auringonvalon efekti The Lost Pleiade -esityksess\u00e4, n\u00e4ytt\u00e4m\u00f6lt\u00e4 katsottuna. Piirros London News, 14, 1849 [Rees, Terence: Theatre Lighting in the age of gas. London 1978,  s. 67]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/042_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/042_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-649\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-649'>\n\t\t\t\tKaarivalolla toteutettu auringonvalon efekti, n\u00e4ytt\u00e4m\u00f6n takaa n\u00e4htyn\u00e4. [Rees, Terence: Theatre Lighting in the age of gas. London 1978, s. 66]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/038_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/038_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-647\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-647'>\n\t\t\t\tKaasu- ja s\u00e4hk\u00f6valaisimien sijoitus, Pariisin ooppera 1887. [Rees, Terence: Theatre Lighting in the age of gas. London 1978, s. 180]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/036_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/036_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-645\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-645'>\n\t\t\t\tPariisin oopperan valop\u00f6yt\u00e4 etun\u00e4ytt\u00e4m\u00f6n alla 1887. [Rees, Terence: Theatre Lighting in the age of gas. London 1978, s. 177]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/037x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/037x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-646\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-646'>\n\t\t\t\tPariisin oopperan s\u00e4hk\u00f6voimalaitos oopperan kellarissa 1887. Piirros L\u2019Illustration-lehdess\u00e4 Pariisi 18.6.1887. [Rees, Terence: Theatre Lighting in the age of gas. London 1978, s. 178]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/babylens_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/babylens_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-847\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-847'>\n\t\t\t\tHartmannin Baby lens-heittimet portaalivalosillalla. The Return of Peter Grimm, Belasco Theatre 1911 [Bergman Lighting in the theatre, s. 309]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Strand-Light-Console.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Strand-Light-Console-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-914\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-914'>\n\t\t\t\tStrand Light Console oli tuotannossa v. 1935\u20131955. [The Strand Archive]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Strand-Patt20.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Strand-Patt20-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-910\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-910'>\n\t\t\t\tStrand Patt.20 kaarivalonheitin oli varustettu tasokuperalla linssill\u00e4, liukus\u00e4\u00e4dett\u00e4v\u00e4ll\u00e4 fokuksella ja k\u00e4sik\u00e4ytt\u00f6isell\u00e4 sulkimella. Tuotannossa v. 1915\u20131925. [The Strand Archive]\n\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/1023.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/1023-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-4-907\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-907'>\n\t\t\t\tStrandin Patt.23 profiilivalonheitin oli tuotannossa v. 1953\u20131983. [The Strand Archive]\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<h2>5\u00a0Realismi ja naturalismi<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/047_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/047_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-651\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-651'>\n\t\t\t\tVastapainon\u00e4ytt\u00e4m\u00f6 kahdessa kerroksessa, Madison Square theatre [Wickham, Glynne: Teatterihistoria, s. 183]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-775\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-775'>\n\t\t\t\tHehkulamput motivoivana valona. [Tarja Ervasti]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-776\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-776'>\n\t\t\t\tMotivoitu valo vahvistaa hehkulamppujen vaikutelmaa. [Tarja Ervasti]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/044_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/044_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-650\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-650'>\n\t\t\t\tTheatre Libre, Zola: Maa [Wickham, Glynne: Teatterihistoria, s. 219]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/027_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/027_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-641\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-641'>\n\t\t\t\tQueen Katharine\u2019s dream. Illustrated London News, 26 (1855). [Rees, Terence: Theatre Lighting in the age of gas. London 1978, s. 53]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/054_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/054_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-655\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/054_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/054_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-655'>\n\t\t\t\tRomeo ja Julia 1882, lavastus Craven ja Telbin. [Wickham, Glynne: Teatterihistoria, s. 205] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/049_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/049_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-653\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/049_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/049_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-653'>\n\t\t\t\tGirl from the Golden West, 4. n\u00e4yt\u00f6s, saluunakohtaus, 1905. [Lise-Lone Marker: David Belasco. Naturalism in the American theatre. Kuva 10]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/048_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/048_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-652\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/048_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/048_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-652'>\n\t\t\t\tDarling of the Gods, 1902.  [Lise-Lone Marker: David Belasco. Naturalism in the American theatre. Kuva 5]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/babylens_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/babylens_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-847\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-847'>\n\t\t\t\tHartmannin Baby lens-heittimet portaalivalosillalla. The Return of Peter Grimm, Belasco Theatre 1911 [Bergman Lighting in the theatre, s. 309]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/053_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/053_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-654\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/053_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/053_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-654'>\n\t\t\t\tKirsikkapuisto, 3. n\u00e4yt\u00f6s, 1904 Moskova [Wickham, Glynne: Teatterihistoria, s. 218] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-5-666\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-666'>\n\t\t\t\tStanislavskin ja Craigin Hamlet Moskovan taiteellisessa teatterissa 1912, loppukohtaus.[Bergman, G\u00f6sta M: Den moderna teaterns genombrott 1890\u20131925, s. 228] \n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<h2>6\u00a0Modernismin edell\u00e4k\u00e4vij\u00e4t<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/079_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/079_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-673\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-673'>\n\t\t\t\tR.E. Jones Macbeth, Juhlakohtaus [Drawings for the Theatre by Robert Edmond Jones. Kuva 12] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_c-e1454666181369.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_c-e1454666181369-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-710\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-710'>\n\t\t\t\tThomas Wilfred Nimet\u00f6n opus 161, 1966. [Lumia International Lyskunst, Charlottenborg Udstillingsbygning 1999, s. 39]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_x-e1473082538385.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_x-e1473082538385-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-712\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-712'>\n\t\t\t\tThomas Wilfred Nimet\u00f6n opus 161, 1966. [Lumia International Lyskunst, Charlottenborg Udstillingsbygning 1999, s. 39]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_d-e1454666159433.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_d-e1454666159433-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-711\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-711'>\n\t\t\t\tThomas Wilfred Nimet\u00f6n opus 161, 1966. [Lumia International Lyskunst, Charlottenborg Udstillingsbygning 1999, s. 39]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_b-e1454666208209.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/088_b-e1454666208209-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-709\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-709'>\n\t\t\t\tThomas Wilfred Nimet\u00f6n opus 161, 1966. [Lumia International Lyskunst, Charlottenborg Udstillingsbygning 1999, s. 39]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-657\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-657'>\n\t\t\t\tValkyyriat, 3. n\u00e4yt\u00f6s. Appian varhainen luonnos. [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 48]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-656\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/055_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-656'>\n\t\t\t\tValkyyriat, 3. n\u00e4yt\u00f6s. Appian varhainen luonnos. [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 48]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/058_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/058_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-846\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/058_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/058_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-846'>\n\t\t\t\tRhytmic space, Appian luonnos [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 86] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/059.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/059-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-658\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/059-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/059-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-658'>\n\t\t\t\tHelleraun teatteri, Gluck, Orfeus ja Eurydice, Manalaan laskeutumisen lavastus. [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 90]  \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-659\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-659'>\n\t\t\t\tRheingold, n\u00e4yt\u00f6s 2  [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 147] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-660\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/061_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-660'>\n\t\t\t\tRheingold, n\u00e4yt\u00f6s 2  [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 147] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/062_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/062_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-661\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/062_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/062_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-661'>\n\t\t\t\tBasel. Valkyrie 1. n\u00e4yt\u00f6s, Siegmund ja Sieglinde  [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 155] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/063_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/063_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-662\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/063_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/063_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-662'>\n\t\t\t\tBasel. Valkyrie 2. n\u00e4yt\u00f6s  [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 155] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/064_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/064_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-663\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/064_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/064_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-663'>\n\t\t\t\tBasel. Valkyrie 3. n\u00e4yt\u00f6s, sotilassiluetit [Volbach, Walter: Adolpeh Appia Prophet of the modern theatre. s. 155] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-675\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-675'>\n\t\t\t\tEdward Gordon Craig: Isadora Duncan, piirros  1905 [E.G.Craig: Index to the story of my days, s. 256]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/065.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/065-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-664\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/065-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/065-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/065-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-664'>\n\t\t\t\tThe Arrival, luonnos 1901 [E.G.Craig: Index to the Story of My Days, s. 241] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-666\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/068_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-666'>\n\t\t\t\tStanislavskin ja Craigin Hamlet Moskovan taiteellisessa teatterissa 1912, loppukohtaus.[Bergman, G\u00f6sta M: Den moderna teaterns genombrott 1890\u20131925, s. 228] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/067_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/067_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-665\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/067_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/067_x-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/067_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-665'>\n\t\t\t\tScene, luonnos [Bergman, G\u00f6sta M: Den moderna teaterns genombrott 1890\u20131925, s. 224] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/071.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/071-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-669\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/071-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/071-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/071-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-669'>\n\t\t\t\tAiskhyloksen Orestes Circus Schumannissa v. 1911. [Bergman Lighting in the Theatre, s. 344]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/082.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/082-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-674\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/082-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/082-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/082-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-674'>\n\t\t\t\tPy\u00f6r\u00f6horisontti 1900-luvulta [Polieri Jacques: Sc\u00e9nographie Nouvelle. s. 26]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-671\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-671'>\n\t\t\t\tThe Miracle, 1911 London Olympia. [Rosenfeld, Sybil: A Short History of Scene Design in Great Britain. Basil Blackwell, Oxford 1973, s. 167] \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/077.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/077-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-672\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/077-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/077-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/077-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-672'>\n\t\t\t\tThe Miracle, Century Theatre, 1924 The Miracle New Yorkissa, Norman Bell Geddes\u2019in lavastus [Larson, Orville: Scene Design in the American Theatre from 1915 to 1960. s. 77]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-667\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-667'>\n\t\t\t\tJalomielinen aisankanattaja, Ljubov Popovan konstruktivistinen lavastus [Rudnitsky, Konstantin, Russian &#038; Soviet theatre. Tradition &#038; the Avant-garde. Thames and Hudson 1988, s. 122]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-6-668\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/070_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-6-668'>\n\t\t\t\tPrincess Brambilla, ohjaus Tairov 1920 Moskova. [Theatre Journal Dec 1980, The Johns Hopkins University Press, s. 495]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2>7 Teatterin avant garde<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-7' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-713\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-713'>\n\t\t\t\tDada-esitys Rel\u00e2che Th\u00e9\u00e2tre de Champs-Elys\u00e9ess\u00e4 v. 1924 [Clarke, Mary ja Crisp, Clement: Design for ballet, Hawthorn books 1978, s. 162]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/ilotulitus-1915.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/ilotulitus-1915-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-1483\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/ilotulitus-1915-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/ilotulitus-1915-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-1483'>\n\t\t\t\tGiacomo Balla, Fuori d&#8217;artificio v\u00e4rikuva [Brockett, Oscar, Mitchell, Margaret, Hardberger, Linda: Making the Scene, Tobin Theatre Arts Fund, Texas, s. 146]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-1479\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-1479'>\n\t\t\t\tMalevitshin lavastus Voitto auringosta -oopperaan. Kohtaus Auringonkantajat. Lavastuksen ja pukujen v\u00e4rit muutettiin v\u00e4rivalon avulla. Performanssiryhm\u00e4t Homo $ ja Jack Helen Brut tekiv\u00e4t esityksest\u00e4 rekonstruktion 1987. [Anja Salmela]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta2.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta2-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-1480\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta2-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/voittoauringosta2-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-1480'>\n\t\t\t\tMalevitshin lavastus Voitto auringosta -oopperaan. Kohtaus Auringonkantajat. Lavastuksen ja pukujen v\u00e4rit muutettiin v\u00e4rivalon avulla. Performanssiryhm\u00e4t Homo $ ja Jack Helen Brut tekiv\u00e4t esityksest\u00e4 rekonstruktion 1987. [Anja Salmela]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/095_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/095_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-715\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-715'>\n\t\t\t\tByronin Kain, 1923. [L\u2019ekspressionisme dans le Th\u00e9atre Europ\u00e9en s. 207]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/098_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/098_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-719\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/098_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/098_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-719'>\n\t\t\t\tRichard Weichertin ohjaus Hasencleverin n\u00e4ytelm\u00e4st\u00e4 Der Sohn  1918. [L\u2019ekspressionisme dans le Th\u00e9atre Europ\u00e9en s. 22, 23]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/098_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/098_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-718\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-718'>\n\t\t\t\tRichard Weichertin ohjaus Hasencleverin n\u00e4ytelm\u00e4st\u00e4 Der Sohn  1918. [L\u2019ekspressionisme dans le Th\u00e9atre Europ\u00e9en s. 22, 23]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/096_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/096_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-716\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/096_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/096_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-716'>\n\t\t\t\tStrindbergin n\u00e4ytelm\u00e4 Tie Damaskoon, ohjaus Per Lindberg vuonna 1926. [L\u2019ekspressionisme dans le Th\u00e9atre Europ\u00e9en s. 305]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/097_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/097_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-717\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/097_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/097_x-500x500.jpg 500w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/097_x-1000x1000.jpg 1000w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-717'>\n\t\t\t\tMetallitanssi  [Goldberg, RoseLee, Performance art from Futurism to the Present. Thames and Hudson. 1988, s. 119]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/099_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/099_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-720\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/099_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/099_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-720'>\n\t\t\t\tHirschfield-Mackin Valon\u00e4ytelm\u00e4. [Lux Feininger. Farkas Moln\u00e1r: The Theater of the Bauhaus. kuva 8]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/094_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/094_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-714\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-714'>\n\t\t\t\tKiesler R.U.R.  [Goldberg, RoseLee, Performance art from Futurism to the Present, Thames and Hudson 1988, s. 116]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-723\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-723'>\n\t\t\t\tGropiuksen Totaalisen teatterin suunnitelma Piscatorille. Frontaali katsomissuunta. Projisointi n\u00e4ytt\u00e4m\u00f6n cykloramalle ja katsomon seinille yhteens\u00e4 14 projisointipisteest\u00e4. [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-721\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-721'>\n\t\t\t\tOsittain ymp\u00e4r\u00f6ity n\u00e4ytt\u00e4m\u00f6.  [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-7-722\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-7-722'>\n\t\t\t\tKokonaan ymp\u00e4r\u00f6iv\u00e4 katsomo areenan\u00e4ytt\u00e4m\u00f6n ymp\u00e4rill\u00e4.  [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<h2>8\u00a0Saksan poliittinen teatteri<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-8 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-8 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-8' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/101.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/101-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-724\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/101-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/101-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/101-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-724'>\n\t\t\t\tJohn Heartfieldin juliste historialliseen revyyseen Trotz alledem!, 1925. [Erwin Piscator 1893\u20131966 s. 101]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/102_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/102_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-725\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/102_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/102_x-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/102_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-725'>\n\t\t\t\tDas Trunkene Shif  v.1926. Vankila Ranskassa ja sotilassairaala. [Erwin Piscator 1893\u20131966. s. 105]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-723\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-723'>\n\t\t\t\tGropiuksen Totaalisen teatterin suunnitelma Piscatorille. Frontaali katsomissuunta. Projisointi n\u00e4ytt\u00e4m\u00f6n cykloramalle ja katsomon seinille yhteens\u00e4 14 projisointipisteest\u00e4. [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-721\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-721'>\n\t\t\t\tOsittain ymp\u00e4r\u00f6ity n\u00e4ytt\u00e4m\u00f6.  [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-722\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-722'>\n\t\t\t\tKokonaan ymp\u00e4r\u00f6iv\u00e4 katsomo areenan\u00e4ytt\u00e4m\u00f6n ymp\u00e4rill\u00e4.  [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/106.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/106-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-727\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-727'>\n\t\t\t\tAll the King\u2019s men v. 1948 [Erwin Piscator 1893\u20131966. s. 29]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/103_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/103_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-726\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/103_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/103_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-726'>\n\t\t\t\tSota ja rauha 1955. Piscatorin alavalon\u00e4ytt\u00e4m\u00f6 \u201dLichtb\u00fchne\u201d [Erwin Piscator 1893\u20131966. s. 105]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/107_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/107_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-728\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-728'>\n\t\t\t\t\u00c4iti Peloton (Mutter Courage) Berliner Ensemblessa [Molinari, Cesare. Theatre through the ages. Cassel &#038; Company. 1975, s. 302]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/108_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/108_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-729\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/108_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/108_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-729'>\n\t\t\t\tKolmen pennin ooppera 1928. Lavastus Caspar Neher.  [Willett, John: Caspar Neher, Brecht\u2019s designer, s. 103]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-1894\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-1894'>\n\t\t\t\t\u00c4iti Peloton tunnistaa poikansa kapteeni Tillyn teltassa. Berlau, Ruth ja Brecht, Bertolt: Mutter Courage und ihre Kinder. [Szenenfotos der Auff\u00fchrungen des Deutschen Theaters, des Berliner Ensemble und der M\u00fcnchener Kammerspiele. 1958. s. 15]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht2.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht2-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-8-1895\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht2-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2017\/02\/aiti-peloton-brecht2-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-1895'>\n\t\t\t\t\u00c4iti Pelottoman vankkurileiri. Berlau, Ruth ja Brecht, Bertolt: Mutter Courage und ihre Kinder [Szenenfotos der Auff\u00fchrungen des Deutschen Theaters, des Berliner Ensemble und der M\u00fcnchener Kammerspiele. 1958. s. 54]\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<h2>9 Valaistuksen metodit muovautuvat<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-9 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-9 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-9' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/125_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/125_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-752\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-752'>\n\t\t\t\tTh\u00e9\u00e2tre du Soleil, lavastaja Guy-Claude Francois [Guy-Claude Francois] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-2163\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-2163'>\n\t\t\t\tSuomen Kansallisoopperan p\u00e4\u00e4n\u00e4ytt\u00e4m\u00f6. [Suomen Kansallisooppera, Heikki Tuuli]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-siegfried.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-siegfried-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1832\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-siegfried-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-siegfried-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1832'>\n\t\t\t\tWagnerin Siegfried Metropolitan-oopperassa v. 1972, Schneider-Siemssein lavastus, alkuper\u00e4isohjaus Karajan. [Metropolitan Opera Guild, archives.metoperafamily.org\/Imgs\/Siegfried7273.03.jpg]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-775\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoivavalo-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-775'>\n\t\t\t\tHehkulamput motivoivana valona. [Tarja Ervasti]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-776\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/motivoituvalo-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-776'>\n\t\t\t\tMotivoitu valo vahvistaa hehkulamppujen vaikutelmaa. [Tarja Ervasti]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/112_x-e1473082598102.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/112_x-e1473082598102-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-734\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-734'>\n\t\t\t\tN\u00e4ytt\u00e4m\u00f6alue jaetaan alueisiin, joihin suunnataan etuvalot molemmilta puolilta 45 asteen kulmassa. [Tarja Ervasti]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/112b_x-e1473082633826.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/112b_x-e1473082633826-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-735\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-735'>\n\t\t\t\tLeikkauspiirustus [Tarja Ervasti]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/graham.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/graham-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1839\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1839'>\n\t\t\t\tJean Rosenthalin valosuunnittelu ja Isamu Noguchin lavastus Martha Grahamin koreografiassa Night Journey. [stagelightingtextbook.com\/spotlighting-the-history-of-women-lighting-designers]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/metropolis.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/metropolis-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1771\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/metropolis-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/metropolis-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1771'>\n\t\t\t\tMetropolis-musikaali Lontoossa 1989. Lavastus Ralph Koltai, valosuunnittelu David Hersey. [Brockett, Oscar, Mitchell, Margaret, Hardberger, Linda: Making the Scene, Tobin Theatre Arts Fund, Texas, s. 317. Kuva Martine Franck]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/118_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/118_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-741\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-741'>\n\t\t\t\tAndrew Lloyd Webber, Phantom of the Opera. Valosuunnittelu David Hersey 1988. [Pilbrow, Richard: Stage Lighting design, 1997, s. 230. Kuva Clive Barda]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/124_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/124_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-751\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-751'>\n\t\t\t\tTh\u00e9\u00e2tre du Soleil, lavastaja Guy-Claude Francois [Guy-Claude Francois] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/theatre-du-soleil-1789.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/theatre-du-soleil-1789-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1773\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/theatre-du-soleil-1789-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/theatre-du-soleil-1789-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1773'>\n\t\t\t\tHajautettu n\u00e4ytt\u00e4m\u00f6ratkaisu Th\u00e9\u00e2tre du Soleil&#8217;n esityksess\u00e4 1789. [Brockett, Oscar, Mitchell, Margaret, Hardberger, Linda: Making the Scene, Tobin Theatre Arts Fund, Texas, s. 310. Kuva Ralph Koltai]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/126_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/126_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-753\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-753'>\n\t\t\t\tTh\u00e9\u00e2tre du Soleil, lavastaja Guy-Claude Francois [Guy-Claude Francois] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/120_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/120_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-743\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/120_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/120_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-743'>\n\t\t\t\tMarivaux La Dispute. Th\u00e9\u00e2tre National Populaire, 1973. Ohjaus Patrice Ch\u00e9reau, lavastus Richard Peduzzi. [Spectacles 70\u201375 Dans Le Monde. Kuva 93.]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122b_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122b_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-748\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122b_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122b_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-748'>\n\t\t\t\tItaliaaninen n\u00e4ytt\u00e4m\u00f6. Madame sans g\u00eane, 2004, lavastus Guy-Claude Francois. [Guy-Claude Francois]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122a_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122a_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-747\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122a_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/122a_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-747'>\n\t\t\t\tMadame sans g\u00eane, 2004, lavastus Guy-Claude Francois [Guy-Claude Francois]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/wieland-wagner-1966-tristan-bayreuth-iii.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/wieland-wagner-1966-tristan-bayreuth-iii-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1834\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/wieland-wagner-1966-tristan-bayreuth-iii-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/wieland-wagner-1966-tristan-bayreuth-iii-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1834'>\n\t\t\t\tWieland Wagner uudisti Wagnerin oopperoiden visuaalisen ilmeen. Tristan ja Isolde Bayreuthissa v. 1966 [luniversfantastiquederw.e-monsite.com\/album-photos\/tristan-und-isolde-acte-iii]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-reininkulta.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-reininkulta-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1835\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-reininkulta-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-reininkulta-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1835'>\n\t\t\t\tSchneider-Siemssenin lavastus yhdist\u00e4\u00e4 projisoidun ja kolmiulotteisen tilan. Wagnerin Reininkulta Metropolitan-oopperassa v. 2009. [The New York Times 3.6.2015]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-tristan-salzbourg.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-tristan-salzbourg-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1836\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-tristan-salzbourg-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/schneider-siemssen-tristan-salzbourg-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1836'>\n\t\t\t\tTristan ja Isolde Salzburgin oopperajuhlilla, Karajan \u2013Schneider-Siemssen -tuotanto v. 1972\n[luniversfantastiquederw.e-monsite.com\/album-photos\/gunther-schneider-siemssen]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/119_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/119_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-742\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/119_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/119_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-742'>\n\t\t\t\tSvobodan lavastus ja valaistus Verdin oopperaan Sisilialaiset vesperit, Hampurin valtionooppera 1969. [Bergman Lighting in the Theatre, s. 386]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/svoboda-Montreal1967.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/svoboda-Montreal1967-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-1905\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-1905'>\n\t\t\t\tSvobodan ja Radokin Polydiaekran Montrealin Expossa v. 1967 [Albertov\u00e1, Helena: Josef Svoboda sc\u00e9nograf, s. 194]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/svoboda-tristan-1974.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/svoboda-tristan-1974-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-9-754\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/svoboda-tristan-1974-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/svoboda-tristan-1974-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-754'>\n\t\t\t\tWagnerin Tristan ja Isolde Bayreuthissa 1974. Ohjaus August Everding [Albertov\u00e1, Helena: Josef Svoboda sc\u00e9nograf, s. 242]\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<h2>10\u00a0Tanssivalaistus<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-10 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-10 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-10' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/008_.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/008_-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-234\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-234'>\n\t\t\t\tBalettiesitys Varsovan hoviteatterissa. \u00d6ljymaalaus, n. 1780. [Bergman Lighting in the theatre, s. 109] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-675\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/083-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-675'>\n\t\t\t\tEdward Gordon Craig: Isadora Duncan, piirros  1905 [E.G.Craig: Index to the story of my days, s. 256]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/114_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/114_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-737\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-737'>\n\t\t\t\tVindh\u00e4xor, Fj\u00e4rran fr\u00e5n Kaukasus, Tukholma 1982, valaistus Ilkka Volanen [Ilkka Volanen]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/bakstscheheradzade.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/bakstscheheradzade-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-705\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/bakstscheheradzade-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/bakstscheheradzade-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-705'>\n\t\t\t\tLeon Bakstin lavastus Scheheradzade-balettiin v. 1910. [Brockett, Oscar, Mitchell, Margaret, Hardberger, Linda: Making the Scene, Tobin Theatre Arts Fund, Texas, s. 240]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/084_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/084_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-704\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/084_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/084_x-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/084_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-704'>\n\t\t\t\tCharles Hallo, Firebird. Ballerina Tamara Karsavina valokiilassa. [Clarke, Mary ja Crisp, Clement: Ballet in Art: from renaissance to the present, Ash &#038; Grant Ltd, London 1978, s. 129]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/085_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/085_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-706\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/085_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/085_x-500x500.jpg 500w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/085_x-1000x1000.jpg 1000w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-706'>\n\t\t\t\tLa Chatte, Pariisi 1927. [Clarke, Mary ja Crisp, Clement: Design for ballet, Hawthorn books 1978, s. 150]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-713\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/093_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-713'>\n\t\t\t\tDada-esitys Rel\u00e2che Th\u00e9\u00e2tre de Champs-Elys\u00e9ess\u00e4 v. 1924 [Clarke, Mary ja Crisp, Clement: Design for ballet, Hawthorn books 1978, s. 162]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/087_-e1473082731263.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/087_-e1473082731263-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-708\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-708'>\n\t\t\t\tLe Danse Feu, Tulitanssi [Gabriele Brandstetter \u2013 Brygida Ochaim: Lo\u00efe Fuller. Tanz \u2013 Licht \u2013 Spiel \u2013 Art Nouveau. V\u00e4rikuva 15]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/086_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/086_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-707\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/086_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/086_x-800x800.jpg 800w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/086_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-707'>\n\t\t\t\tSerpentiinitanssin valosuunnitelma. [Piirros Ewald Thiel. Gabriele Brandstetter \u2013 Brygida Ochaim: Lo\u00efe Fuller. Tanz \u2013 Licht \u2013 Spiel \u2013 Art Nouveau. s. 29]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/graham-dark-meadow-of-the-soul.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/graham-dark-meadow-of-the-soul-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-1847\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/graham-dark-meadow-of-the-soul-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/graham-dark-meadow-of-the-soul-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-1847'>\n\t\t\t\tDark Meadow of the Soul, 1946. Isamu Noguchin lavastus ja Jean Rosenthalin valaistus. [Smithsonian Studies in American Art, Winter 1990 volume 4, number 1, s. 12]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-crystal-and-the-sphere.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-crystal-and-the-sphere-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-1840\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-crystal-and-the-sphere-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-crystal-and-the-sphere-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-1840'>\n\t\t\t\tCrystal and Sphere 1990. Valokuvaaja Caravaglia muokkasi media-aineistoja, joita projisoitiin tanssijoihin. [Gitelman, Claudia, Martin, Randy, ed.: The Returns of Alvin Nikolais, Wesleyan University Press, Connecticut, 2007, kuvaliite. Kuva Tom Caravaglia]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-grotto.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-grotto-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-1841\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-grotto-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/nikolais-grotto-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-1841'>\n\t\t\t\tKaksi tanssijaa samassa puvussa. Grotto 1973. [Gitelman, Claudia, Martin, Randy, ed.: The Returns of Alvin Nikolais, Wesleyan University Press, Connecticut, 2007, kuvaliite. Kuva Tom Caravaglia]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten1-886x500-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten1-886x500-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-2166\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten1-886x500-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten1-886x500-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-2166'>\n\t\t\t\tVindh\u00e4xor, Bl\u00e5 n\u00e4rmast vatten \u2013 \u00d6deg\u00e5rder, Dansens hus 2007. Koreografia Eva Lundqvist, valosuunnittelu Tarja Ervasti. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten2-886x500-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten2-886x500-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-2167\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten2-886x500-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten2-886x500-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-2167'>\n\t\t\t\tVindh\u00e4xor, Bl\u00e5 n\u00e4rmast vatten \u2013 \u00d6deg\u00e5rder, Dansens hus 2007. Koreografia Eva Lundqvist, valosuunnittelu Tarja Ervasti. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten3-1024x544-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten3-1024x544-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-2168\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten3-1024x544-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten3-1024x544-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-2168'>\n\t\t\t\tVindh\u00e4xor, Bl\u00e5 n\u00e4rmast vatten \u2013 \u00d6deg\u00e5rder, Dansens hus 2007. Koreografia Eva Lundqvist, valosuunnittelu Tarja Ervasti. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten-886x500-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten-886x500-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-2169\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten-886x500-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Bla-narmast-vatten-886x500-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-2169'>\n\t\t\t\tVindh\u00e4xor, Bl\u00e5 n\u00e4rmast vatten \u2013 \u00d6deg\u00e5rder, Dansens hus 2007. Koreografia Eva Lundqvist, valosuunnittelu Tarja Ervasti. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/138_2.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/138_2-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-769\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-769'>\n\t\t\t\tPina Bausch, Der Fensterputzer 1997. [Kaufmann, Ursula: Pina Bausch und das Tanztheater Wuppertal \u2013 nur du. Sivunumeroimaton]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running3-886x500-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running3-886x500-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-2172\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running3-886x500-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running3-886x500-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-2172'>\n\t\t\t\tVindh\u00e4xor, Cheeta Running, Dansens hus 2013. Koreografia Eva Lundqvist, valosuunnittelu Tarja Ervasti. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running2-886x500-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running2-886x500-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-10-2173\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running2-886x500-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Vindhaxor_Cheeta-running2-886x500-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-2173'>\n\t\t\t\tVindh\u00e4xor, Cheeta Running, Dansens hus 2013. Koreografia Eva Lundqvist, valosuunnittelu Tarja Ervasti. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<h2>11\u00a0Nykyteatterin monimuotoisuus<\/h2>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-11 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-11 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-11 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-11 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-11' class='gallery galleryid-158 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika543.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika543-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1118\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika543-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika543-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1118'>\n\t\t\t\tMonteverdi, Poppean kruunaus, 2015. Ohjaus Vilppu Kiljunen, lavastus, video- ja valosuunnittelu Tarja Ervasti, pukusuunnittelu Marja Uusitalo. [Sakari Viika]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Royal-Danish-Ballet-Swan-lake_kuva-Mikki-Kunttu.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Royal-Danish-Ballet-Swan-lake_kuva-Mikki-Kunttu-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1014\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Royal-Danish-Ballet-Swan-lake_kuva-Mikki-Kunttu-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Royal-Danish-Ballet-Swan-lake_kuva-Mikki-Kunttu-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1014'>\n\t\t\t\tDen Kongelige Ballet Kobenhavn, Swan Lake, 2015. Mikki Kuntun valosuunnittelu ja lavastus. [Mikki Kunttu]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Quo-Vadis-jurtta.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Quo-Vadis-jurtta-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-974\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Quo-Vadis-jurtta-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Quo-Vadis-jurtta-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-974'>\n\t\t\t\tTeatteri Quo Vadis esiintyy jurtassa, 2010. [Tarja Ervasti]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/humalisto-pimeaprojekti.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/humalisto-pimeaprojekti-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1857\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/humalisto-pimeaprojekti-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/humalisto-pimeaprojekti-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1857'>\n\t\t\t\tTomi Humaliston koollekutsuman Pime\u00e4 projekti -ty\u00f6ryhm\u00e4n esitys Zodiak \u2013 Uuden tanssin keskuksen Galleria Kandelassa 2007 [Tomi Humalisto]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-723\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-723'>\n\t\t\t\tGropiuksen Totaalisen teatterin suunnitelma Piscatorille. Frontaali katsomissuunta. Projisointi n\u00e4ytt\u00e4m\u00f6n cykloramalle ja katsomon seinille yhteens\u00e4 14 projisointipisteest\u00e4. [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-721\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-721'>\n\t\t\t\tOsittain ymp\u00e4r\u00f6ity n\u00e4ytt\u00e4m\u00f6.  [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-722\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/100_c-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-722'>\n\t\t\t\tKokonaan ymp\u00e4r\u00f6iv\u00e4 katsomo areenan\u00e4ytt\u00e4m\u00f6n ymp\u00e4rill\u00e4.  [Farkas Moln\u00e1r: The Theater of the Bauhaus. s. 13]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-671\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/073_b-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-671'>\n\t\t\t\tThe Miracle, 1911 London Olympia. [Rosenfeld, Sybil: A Short History of Scene Design in Great Britain. Basil Blackwell, Oxford 1973, s. 167] \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/142_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/142_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1507\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1507'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/122_x-e1473083205531.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/122_x-e1473083205531-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1688\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1688'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/121_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/121_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1689\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1689'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/140.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/140-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1520\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1520'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/143_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/143_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1508\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1508'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/144_x-e1473083237544.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/144_x-e1473083237544-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1509\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1509'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/145_x-e1473083266719.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/145_x-e1473083266719-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1510\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1510'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/146_x-e1473083294113.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/146_x-e1473083294113-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1511\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1511'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/150_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/05\/150_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1515\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1515'>\n\t\t\t\tGudrun\u2019s 4. sang, T\u00f8rdokken Holmen, Opera Nord 1996 [J\u00f8rgen Borg ja Tomas Bertelsen]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-2163\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/Kansallisooppera_paanayttamo-1024x777-1-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-2163'>\n\t\t\t\tSuomen Kansallisoopperan p\u00e4\u00e4n\u00e4ytt\u00e4m\u00f6. [Suomen Kansallisooppera, Heikki Tuuli]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/113.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/113-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-736\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-736'>\n\t\t\t\tYksinkertainen ohjelmoitava valop\u00f6yt\u00e4 Tatarakas-hevosteatterissa v. 2004. [Sirje Ruohtula]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika2231.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika2231-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1121\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika2231-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika2231-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1121'>\n\t\t\t\tMonteverdi, Poppean kruunaus, 2015. Ohjaus Vilppu Kiljunen, lavastus, video- ja valosuunnittelu Tarja Ervasti, pukusuunnittelu Marja Uusitalo. [Sakari Viika]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika528.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika528-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1119\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika528-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2016\/01\/Poppean-kruunaus_Sakari-Viika528-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1119'>\n\t\t\t\tMonteverdi, Poppean kruunaus, 2015. Ohjaus Vilppu Kiljunen, lavastus, video- ja valosuunnittelu Tarja Ervasti, pukusuunnittelu Marja Uusitalo. [Sakari Viika]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/111d.jpg'><img width=\"192\" height=\"144\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/111d.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-733\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-733'>\n\t\t\t\tJoutsenlampi, G\u00f6teborgin baletti. Koreografia Jorma Uotinen, valosuunnittelu Mikki Kunttu. [Mikki Kunttu]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/111b.jpg'><img width=\"192\" height=\"144\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/111b.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-731\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-731'>\n\t\t\t\tJoutsenlampi, G\u00f6teborgin baletti. Koreografia Jorma Uotinen, valosuunnittelu Mikki Kunttu. [Mikki Kunttu]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/111a-e1472735877895.jpg'><img width=\"192\" height=\"144\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/111a-e1472735877895.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-730\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-730'>\n\t\t\t\tJoutsenlampi, G\u00f6teborgin baletti. Koreografia Jorma Uotinen, valosuunnittelu Mikki Kunttu. [Mikki Kunttu]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121b_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121b_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-745\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121b_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121b_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-745'>\n\t\t\t\tStrinberg, Ett Dr\u00f6mspel Stockholms Stadsteater 1998. Ohjaus, lavastus ja valosuunnittelu Robert Wilson, valaistus Andreas Fuchs, Robert Wilson. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-746\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-746'>\n\t\t\t\tStrinberg, Ett Dr\u00f6mspel, Stockholms Stadsteater, 1998. Ohjaus, lavastus ja valosuunnittelu Robert Wilson, valaistus Andreas Fuchs, Robert Wilson. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121a_x.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121a_x-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-744\" srcset=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121a_x-200x200.jpg 200w, https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/12\/121a_x-500x500.jpg 500w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-744'>\n\t\t\t\tStrinbergin Ett Dr\u00f6mspel Stockholms Stadsteater suuri n\u00e4ytt\u00e4m\u00f6 1998. \nOhjaus, lavastus ja valosuunnittelu Robert Wilson, valaistus Andreas Fuchs, Robert Wilson. [Lesley Leslie-Spinks]\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/saariaho.jpg'><img width=\"200\" height=\"200\" src=\"https:\/\/disco.teak.fi\/valo\/wp-content\/uploads\/2015\/03\/saariaho-200x200.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-11-1919\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-11-1919'>\n\t\t\t\tLepagen ohjaama Kaija Saariahon L&#8217;Amour de Loin, Metropolitan Opera 2016 [www.metopera.org\/Discover\/Articles\/Featured-Articles\/a-sea-apart]\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Disclaimer The publisher has made every effort to contact the copyright holders of images exposed in the European Theatre History Study material and to obtain permission to publish them. This has not been possible in every case,\u00a0however, and we would welcome correspondence from those individuals\/companies whom we have been unable to trace. In case a [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/posts\/158"}],"collection":[{"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/comments?post=158"}],"version-history":[{"count":39,"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/posts\/158\/revisions"}],"predecessor-version":[{"id":2268,"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/posts\/158\/revisions\/2268"}],"wp:attachment":[{"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/media?parent=158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/categories?post=158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/disco.teak.fi\/valo\/wp-json\/wp\/v2\/tags?post=158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}