Adorno, Theodor W. 1998. ”Prismen. Kulturkritik und Gesellschaft” teoksessa Gesammelte Schriften, 10, toim. Rolf Tiedemann. Darmstadt: Wissenschaftliche Buchgesellschaft.

Airaksinen, Timo. 2003. Tekniikan suuret kertomukset. Filosofinen raportti. Helsinki: Otava.

Albertová, Helena. 2012. Josef Svoboda Scénograf. Praha: Institut umėní.

Annuss, Evelyn. 2019. Volkschule des Theaters. Nationalsozialistische Massenspiele. Paderborn: Fink.

Arlander, Annette & Gröndahl, Laura & Silde, Marja. (toim.) 2016. Tekijä – teos, esitys ja yhteiskunta. Helsinki: Teatterintutkimuksen seura. https://teats.fi/tekija-teos-esitys-ja-yhteiskunta (haettu 8.9.2021).

Arlander, Annette & al. (toim.) 2015. Esitystutkimus. Helsinki: Partuuna.

Arns, Inke & Chubarov, Igor & Sasse, Sylvia. (toim.) 2017. Nikolaj Evreinov & andere: Sturm auf den Winterpalast”. Zürich: Diaphanes.

Aronson, Arnold. 1981. The History and Theory of Environmental Scenography. Ann Arbor: University of Michigan Press.

Aronson, Arnold. 2005. Looking into the Abyss. Essays on Scenography. Ann Arbor: University of Michigan Press.

Aronson, Arnold. (toim.) 2018. The Routledge Companion to Scenography. New York: Routledge.

Artaud, Antonin. 1983. Kohti kriittistä teatteria. Helsinki: Otava.

Auslander, Philip. 2012. ”Digital Liveness. A Historico-Philosophical Perspective.” PAJ: A Journal of Performance and Art, 102.

Auslander, Philip. 1999. Liveness. Performance in a Mediatized Culture. London: Routledge.

Baker, Evan. 2013. From the Score to the Stage. An Illustrated History of Continental Opera Production and Staging. Chicago: The University of Chicago Press.

Ball, Hugo. 1916. Dada Manifesto. Wikisource. https://en.wikisource.org/wiki/Dada_Manifesto_(1916,_Hugo_Ball) (haettu 28.4.2018).

Balme, Christopher B. 2004. ”Intermediality. Rethinking the Relationship between Theatre and Media.” https://epub.ub.uni-muenchen.de/13098/1/Balme_13098.pdf (haettu 3.4.2020).

Balme, Christopher B. 2014. The Theatrical Public Sphere. New York: Cambridge University Press.

Banes, Sally. 1999. ”Firebird and the Idea of Russianness” teoksessa The Ballets Russes and Its World,toim. Lynn Garafola & Nancy van Norman Baer. New Haven: Yale University Press.

Barba, Eugenio. 1986. Beyond the Floating Islands. New York: PAJ Publications.

Barba, Eugenio. 2015. Paperista tehty kanootti. Teatteriantropologian opas. Kolkontaipale: Laboratorioteatteri Fennica.

Batta, András. 2005. Opera. Komponisten – Werke – Interpreten. Köln: Könemann.

Baugh, Christopher. 2005. Theatre, Performance and Technology. The Development and Transformation of Scenography. Basingstoke: Palgrave Macmillan.

Bauer, Oswald Georg. 2010. ”Bayreuther Festspiele – Die Utopie der totalen Alternative” teoksessa Theater als Fest – Fest als Theater. Bayreuth und die moderne Festspielidee, toim. Clemens Risi & al. Leipzig: Henschel.

Bauer, Oswald Georg. 2016. Die Geschichte der Bayreuther Festspiele. Band 1: 1850–1950. Berlin: Deutscher Kunstverlag.

Bay-Cheng, Sarah & al. (toim.) 2010. Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press.

Beacham, Richard C. 1994. Adolphe Appia. Artist and Visionary of the Modern Theatre. Chur: Harwood Academic Publishers.

Bean, Annemarie. 2007. ”The Free Southern Theater. Mythology and the Moving between Movements” teoksessa Harding & Rosenthal.

Behrens, Peter. 1900. Feste des Lebens und der Künste. Eine Betrachtung des Theaters als höchster Kultursymbol. Leipzig: Eugen Diederichs.

Behrndt, Synne K. 2010. ”People Show in Rehearsal. People Show #118 The Birthday Tour” teoksessa Devising in Process, toim. Alex Mermekides & Jackie Smart. Basingstoke: Palgrave Macmillan.

Bell, John. 2007. ”Bread and Puppet and the Possibilities of Puppet Theater” teoksessa Harding & Rosenthal.

Benjamin, Walter. 1989. Messiaanisen sirpaleita. Kirjoituksia kielestä, historiasta ja pelastuksesta, toim. Markku Koski & Keijo Rahkonen & Esa Sironen. Jyväskylä: Kansan Sivistystyönliitto, Tutkijaliitto.

Berghaus, Günter. (toim.) 1996. Fascism and Theatre. Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925–1945. Providence: Berghahn Books.

Berghaus, Günter (toim.) 2004. New Perspectives on Prehistoric Art. Westport, Connecticut: Praeger.

Berghaus, Günter. 2010. Theatre, Performance and the Historical Avant-garde. Houndsmills, Basingstoke: Palgrave Macmillan.

Berghaus, Günter. 2012. ”The Futurist Conception of Gesamtkunstwerk and Marinetti’s Total Theatre.” Italogramma, 4. http://italogramma.elte.hu/wp-content/files/Italogramma_Sul_fil_283-302_Berghaus.pdf (haettu 23.4.2018).

Bergmann, Ernst. 1906. Der Fall Reinhardt oder der künstlerische Bankerott des Deutschen Theaters zu Berlin. Eine kritische Studie. Berlin: Dr. E. Bergmanns.

Bergström, Kirsti. 2015. ”Luonnonmukaisuus ja kuva antiikin kuvataiteessa” teoksessa Perspektiivi kuvataiteen historiassa, toim. Johanna Vakkari. Helsinki: Gaudeamus.

Bermbach, Udo. 2004. Der Wahn des Gesamtkunstwerks. Richard Wagners politisch-ästhetische Utopie. Stuttgart: Metzler.

Bermbach, Udo. 2012. ”Die Bayreuther Festspiele. Idee – Ideologie – Identität – historische Einbindung.” teoksessa Fischer-Lichte & Warstat & Littmann.

Bermingham, Ann. 2016. Technologies of Illusion. De Loutherbourgh’s Eidophusikon in Eighteenth-Century London. London: Association of Art Historians.

Bieber, Margarete. 1971. The History of the Greek and Roman Theatre. Princeton, New Jersey: Princeton University Press.

Biccari, Gaetano. 2001. Zuflucht des Geistes”? Konservativ-revolutionäre, faschistische und nationalsozialistische Theaterdiskurse in Deutschland und Italien 1900–1944. Tübingen: Narr.

Blake, Bill. 2014. Theatre & the Digital. Basingstoke: Palgrave Macmillan.

Boal, Augusto. 1989. The Theatre of the Oppressed. London: Pluto Press.

Boal, Augusto. 1998. Legislative Theatre. Using Performance to Make Politics. London: Routledge.

Boehm, Jukka von. 2018. ”Talvipalatsin valtaus -massaspektaakkeli. 1900-luvun keskeisen historiamyytin jäljillä” teoksessa Esitys ja toiseus, toim. Anna Thuring & Anu Koskinen & Tuija Kokkonen. Helsinki: Teatterintutkimuksen seura. https://teats.fi/wp-content/uploads/2018/11/Näyttämö-tutkimus-7.-Esitys-ja-toiseus.pdf (haettu 21.6.2021).

Bomberger, Douglas E. 1998. ”The Neues Schauspielhaus in Berlin and the Premiere of Carl Maria von Weber’s Freischütz” teoksessa Opera in Context, toim. Mark A. Radice. Portland, Oregon: Amadeus Press.

Borch, Christian. 2012. The Politics of Crowds. An Alternative History of Sociology. Cambridge: Cambridge University Press.

Borchmeyer, Dieter. 1982. Das Theater Richard Wagners. Idee, Dichtung, Wirkung. Stuttgart: Reclam.

Bratton, Jacky. 2003. ”Curtain” teoksessa The Oxford Encyclopedia of Theatre & Performance, toim. Dennis Kennedy. Oxford: Oxford University Press.

Braun, Edward. 1995. Meyerhold. A Revolution in Theatre. Iowa City: University of Iowa Press.

Braun, Nicola. (toim.) 2018. Margravial Opera House Bayreuth. München: Bayerische Schlösserverwaltung.

Brecht, Bertolt. 1991. Kirjoituksia teatterista. Helsinki: VAPK-kustannus.

Brockett, Oscar G. 1979. Historical Edition. The Theatre. An Introduction. New York: Holt, Rinehart and Winston.

Brockett, Oscar G. & Hildy, Franklin J. 2008. History of the Theatre. Boston: Pearson.

Brockett, Oscar G. & Mitchell, Margaret & Hardberger, Linda. 2010. Making the Scene. A History of Stage Design and Technology in Europe and the United States. San Antonio: Tobin Theatre Fund.

Brook, Peter. 1972. Tyhjä tila. Nykyteatterista ja sen mahdollisuuksista. Porvoo: WSOY.

Brook, Peter. 1995. The Open Door. New York: Anchor Books.

Brook, Peter. 1998. Threads of Time. A Memoir. London: Methuen.

Broyles-Gonzáles, Yolanda. 2007. ”Re-Constructing Collective Dynamics. El Teatro Campesino from a Twenty-First-Century Perspective” teoksessa Harding & Rosenthal.

Burian, Jarka. 1983. The Scenography of Josef Svoboda. Middletown, Connecticut: Wesleayn University Press.

Burzyński, Tadeusz & Osiński, Zbigniew. 1979. Grotowski’s Laboratory. Warsaw: Interpress Publishers.

Canning, Charlotte. 2007. ”The Beautiful Legs of Feminist Theater. At the Foot of the Mountain and Its Legacy” teoksessa Harding & Rosenthal.

Carlson, Marvin. 1978. Goethe and the Weimar Theatre. Ithaca: Cornell University Press.

Carlson, Marvin. 1989. Places of Performance. The Semiotics of Theatre Architecture. Ithaca: Cornell University Press.

Carter, Huntly. 1964. The Theatre of Max Reinhardt. New York: Blom.

Chapple, Freda & Kattenbelt, Chiel. 2006. Intermediality in Theatre and Performance. Amsterdam: Rodopi.

Chaudhuri, Una. 1995. Staging Place. The Geography of Modern Drama. Ann Arbor: University of Michigan Press.

Centro de Teatro do Oprimido https://www.ctorio.org.br/home/ (haettu 4.7.2019).

Cohen-Cruz, Jan. 2007. ”Comforting the Afflicted and Afflicting the Comfortable. The Legacy of the Free Southern Theater” teoksessa Harding & Rosenthal.

Collins, Jane & Nisbet, Andrew. 2010. Theatre and Performance Design. A Reader in Scenography. New York: Routledge.

Craig, Edward Gordon. 1915. ”Screens. The Thousand Scenes in One Scene”, Mask 7(2).

Crary, Jonathan. 1990. Techniques of the Observer. On Vision and Modernity in the Nineteenth Century. Cambridge, Massachusetts: MIT Press.

Christout, Marie-Francoise. 1987. The Ballet de Cour in 17th century. Geneve: Éditions Minkoff.

Clarke, Mary & Crisp, Clement. 1978. Design for Ballet. New York: Hawthorn.

Dalügge, Marina. 2016. Die Manöverinszenierungen der Oktober-Revolution in Petrograd. Theatralität zwischen Fest und Ritual. Tübingen: Francke.

Davies, Cecil. 1996. The Plays of Ernst Toller. A Revaluation. Amsterdam: Harwood Acad.

Décoret-Ahiha, Anne. 2004. Les danses exotiques en France 1880–1940. Paris: Centre national de la danse, Pantin.

Delouche, Frédéric. (toim.) 1993. Illustrated History of Europe. London: Weinenfeld & Nicholson.

Deržavin, Konstantin. 2017. ”Sturm auf den Winterpalast” teoksessa Arns & Chubarov & Sasse.

Deutsche Fotothek http://www.deutschefotothek.de/documents/obj/90023829 (haettu 26.11.2019).

Diakhté, Ousmane & Eyoh, Hansel Ndumbe 1997. ”Of Inner Roots and External Adjuncts” teoksessa The World Encyclopedia of Contemporary Theatre,3,toim. Don Rubin, London: Routledge.

Dundjerović, Alexandar Saša. 2009. Robert Lepage. Abingdon: Routledge.

Eger, Manfred. 1986. ”Die Bayreuther Festspiele” teoksessa Richard Wagner Handbuch, toim. Ulrich Müller & Peter Wapnewski. Stuttgart: Kröner.

Eichberg, Henning. 1977. ”Thing-, Fest- und Weihespiel im Nationalsozialismus, Arbeiterkultur und Olympismus. Zur Geschichte des politischen Verhaltens in der Epoche des Faschismus” teoksessa Massenspiele, NS-Thingspiel, Arbeiterweihespiel und olympisches Zeremoniell, toim. Eichberg & al. Stuttgart-Bad Cannstatt: Frommann-Holzboog.

Eichberg, Henning. 2008. ”Das Fest der Bewegung. Arbeitermassenspiel und NS-Thingspiel.” https://www.researchgate.net/publication/237587433_Das_Fest_der_Bewegung_-_Arbeitermassenspiel_und_NS-Thingspiel (haettu 21.6.2021).

Edström, Per. 1990. Varför inte teaterlokaler för människor. Värmdö: Arena Teater Institutet.

Edström, Per & Piha, Pentti. 1976. Rum och teater. Oslo: Gyldendal Norsk Forlag.

Edwards, Folke. (toim.) 1988. Futuristisk teater & film. Malmö: Författarförlaget.

Ervasti, Tarja. (toim.) 2009. Valovuosi, variaatioita valosta. Helsinki: Teatterimuseo. DVD.

Ervasti, Tarja. 2017. Valaistuksen historiaa. Helsinki: Teatterikorkeakoulu. https://disco.teak.fi/valo/ (haettu 8.9.2021).

Evreinov, Nikolaj. 2017. ”Sturm auf den Winterpalast. Rückblick auf die Inszenierung zu Ehren des 3. Jahrestags der Oktoberrevolution” teoksessa Arns & Chubarov & Sasse.

Ex Machina https://lacaserne.net/index2.php/exmachina/ (haettu 3.6.2019).

Fairbrother, Trevor & al. 1991. Robert Wilson’s Vision. An Exhibition of Works by Robert Wilson with a Sound Environment by Hans Peter Kuhn. Boston: Museum of Fine Arts.

Falk, Florence. 1999. ”Setting as Consciousness” teoksessa Richard Foreman, toim. Gerald Rabkin. Baltimore: Johns Hopkins University Press.

Fawkes, Richard. 2011. Dion Bocicault. London: Quartet Books.

Feldman, Avi. 2015. ”Performing Justice – From Dada’s Trial to Yael Bartana’s JRMiP Congress.” Oncurating.org, 26. https://www.on-curating.org/files/oc/dateiverwaltung/issue26/PDF_to_Download/OnCurating_Issue26_CDZA1_DINA4.pdf (haettu 22.6.2021).

Fischer-Lichte. Erika. 2005. Theatre, Sacrifice, Ritual. Exploring Forms of Political Theatre. London: Routledge.

Fischer-Lichte, Erika. 2012. ”Einleitung” teoksessa Fischer-Lichte & Warstat & Littmann.

Fischer-Lichte, Erika & Warstat, Matthias & Littmann, Anna. (toim.) 2012. Theater und Fest in Europa. Perspektiven von Identität und Gemeinschaft. Tübingen: Francke.

Foitzik Kirchgraber, Renate. 2003. Lebensreform und Künstlergruppierungen um 1900. Universität Basel. https://edoc.unibas.ch/671/1/DissB_6566.pdf (haettu 18.6.2021).

Foley, Kathy. 2016. ”Southeast Asia” teoksessa Routledge Handbook of Asian Theatre, toim. Siyan Liu. London: Routledge.

Forest Walk https://cardiffmiller.com/walks/forest-walk/ (haettu 4.8.2019).

Forsyth, Alison & Megson, Chris. (toim.) 2011. Get Real. Documentary Theatre, Past and Present. Basingstoke: Palgrave Macmillan.

Foster, Hal. 1996. ”Foreword” teoksessa Schnapp.

Frederick Kiesler https://www.moma.org/artists/3091#fnref2 (haettu 22.4.2018).

Fried, Michael. 1967. ”Art and Objecthood.” http://atc.berkeley.edu/201/readings/FriedObjcthd.pdf (haettu 3.4.2020).

Fuchs, Georg. 1905. Die Schaubühne der Zukunft. Berlin: Schuster & Loeffler.

Fuchs, Georg. 1909. Die Revolution des Theaters. Ergebnisse aus dem Münchener Künstler-Theater. Müller: München.

Fuchs, Georg. 1916a. Das Passions-Spiel und seine Wiedergeburt im Weltkriege. Berlin: Erich Reiss.

Fuchs, Georg. 1916b. Christus – ein Passions-Spiel nach den Evangelien. Berlin: Passions-Spiel Verlag.

Garafola, Lynn & Norman Baer, Nancy van. 1999. The Ballets Russes and Its World. New Haven: Yale University Press.

The Gas Heart https://en.wikipedia.org/wiki/The_Gas_Heart (haettu 20.11.2019).

Geldern, James von. 1993. Bolshevik Festivals, 1917–1920. Berkeley: University of California Press.

Gennep, Arnold, van. 1960. The Rites of Passage. Chicago: University of Chicago Press: Routledge & Kegan Paul.

Gentile, Emilio. 1996. ”The Theatre of Politics in Fascist Italy” teoksessa Berghaus 1996.

George Gurdieff https://en.wikipedia.org/wiki/George_Gurdjieff (haettu 24.11.2019).

Gerould, Daniel. 1989. ”Historical Simulation and Popular Entertainment. The Potemkin Mutiny from Reconstructed Newsreel to Black Sea Stunt Men.” The Drama Review 33(2).

Goebbels, Heiner. 2015. Aesthetics of Absence. Texts on Theatre, toim. Jane Collins. London: Routledge.

Goodbody, Axel. 2005. ”Nature and the Literary Imagination. The Project ’Nature’ in Twentieth-Century German Writing” teoksessa Science, Technology and the German Cultural Imagination. Papers from the congress ”The Fragile Tradition” Cambridge 2002, 3. Oxford: Lang.

Grau, Oliver. 2003. Virtual Art. From Illusion to Immersion. Cambridge, Massachusetts: The MIT Press.

Greeley, Lynne. 2007. ”Cut by the Cutting Edge: Martha Boesing and At the Foot of the Mountain” teoksessa Harding & Rosenthal.

Griffin, Roger. 1996. ”Staging the Nation’s Rebirth. The Politics and Aesthetics of Performance in the Context of Fascist Studies” teoksessa Berghaus 1996.

Grigoriev, S.L. 2009. The Diaghilev Ballet 1909–1929. Alton: Dance Books.

Gropius, Walter & Wensinger, Arthur. 1961. The Theater of the Bauhaus. Middletown: Wesleyan University Press.

Gropius, Walter & Gropius, Isa & Bayer, Herbert. 1938. Bauhaus 1919–1928. New York: The Museum of Modern Art. https://www.moma.org/documents/moma_catalogue_2735_300190238.pdf (haettu 20.11.2018).

Gropius, Walter. 1919. ”Bauhaus-manifest”. http://www.dnk.de/_uploads/media/186_1919_Bauhaus.pdf (haettu 20.11.2018).

Grotowski, Jerzy. 2006. Kohti köyhää teatteria. Helsinki: Like.

Grotowski.net encyclopedia https://www.grotowski.net/en/encyclopedia (haettu 18.11.2018).

Guide to the Musée d’Orsay. 1992. Pariisi: Reunion des Musées Nationaux.

Gunji, Masakatsu. 1985. Kabuki. Tokyo: Kodansha International.

Hamlet, The Wooster Group https://www.kanopy.com/product/hamlet-5 (haettu 3.4.2020).

Hammond, Will & Steward, Dan (toim.) 2008. Verbatim, Verbatim. Techniques in Contemporary Documentary Theatre. London: Oberon Books Ltd.

Hann, Rachel. 2019. Beyond Scenography. New York: Routledge.

Harding, James M. & Rosenthal, Cindy. 2007. Restaging the Sixties. Radical Theaters and their Legacies. Ann Arbor, Michigan: University of Michigan Press.

Hartnoll, Phyllis. 1998. The Theatre. A Concise History. London: Thames and Hudson.

Harvie, Jen. 2013. Fair Play. Art, Performance and Neoliberalism. Basingstoke: Palgrave Macmillan.

Harwood, Ronald. 1984. All the World’s a Stage. Boston: Little, Brown and Company.

Heddon, Deidre & Milling, Jane. 2016. Devising Performance. A Critical History. London: Palgrave Macmillan.

Hedström, Per. 2001. Strindberg, målaren och fotografen. Stockholm:Nationalmuseum.

Helavuori, Hanna & al. 1989. Teatteri tilassa. Helsinki: Teatterimuseo.

Hellerau. Die Idee vom Gesamtkunstwerk. 2009. Hellerau – Europäisches Zentrum der Künste.

Herzogenrat, Wulf. (toim.) 1983. Bauhaus. Stuttgart: Württembergin taiteilijaseura & Suomen Rakennustaiteen museo & Taideteollisuusmuseo & Helsingin Goethe-instituutti.

Heuvel, Mike Vanden. 2007. ”A Different Kind of Pomo. The Performance Group and the Mixed Legacy of Authentic Performance” teoksessa Harding & Rosenthal.

Hidemark, Ove & al. 1993. Drottningholm Court Theatre. Its Advent, Fate and Preservation. Stockholm: Byggförlaget.

Hobsbawm, Eric. 1992. The Age of Revolution. Europe 1789–1848. London: Abacus.

Hodges, C. Walter. 1968. The Globe Restored. A Study of the Elizabethian Theatre. Oxford: Oxford University Press.

Hoffmann, Ludwig & Hoffmann-Ostwald, Daniel. 1972. Deutsches Arbeitertheater 1918–1933, 1. Berlin: Henschelverlag.

Holmberg, Arthur. 2002. The Theatre of Robert Wilson. Cambridge: Cambridge University Press.

Holt, Claire. 1967. Art in Indonesia. Continuities and Changes. Ithaca: Cornell University Press.

Holzapfel, Amy. 2014. Art, Vision, and Nineteenth-century Realist Drama. Acts of Seeing. New York: Routledge.

Honour, Hugh & Fleming, John. 1992. Maailman taiteen historia. Helsinki: Otava.

Huerta, Jorge. 2007. ”The Legacy of El Teatro Campesino” teoksessa Harding & Rosenthal.

Huhtamo, Erkki. 2013. Illusions in Motion. Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge, Massachusetts: The MIT Press.

Häti-Korkeila, Marjatta & al. (toim.) 2014. Teatteri ja media(t) Helsinki: Teatterintutkimuksen seura. https://teats.fi/wp-content/uploads/2016/01/TeaTS5.pdf (haettu 8.9.2021).

Ibsen, Henrik. 1962. Valitut draamat, 6. Porvoo: WSOY.

Iezzi, Julie A. 2016. ”China” teoksessa Routledge Handbook of Asian Theatre, toim. Siyan Liu. London: Routledge.

Innes, Christopher. 1993. Avant Garde Theatre 1892–1992. London: Routledge.

Jackson, Shannon. 2011. Social Works. Performing Arts, Supporting Publics. New York: Routledge.

Jannarone, Kimberly. 2017. ”Choreographing Freedom. Mass Performance in the Festivals of the French Revolution.” The Drama Review 61(2).

Jelavich, Peter. 1985. Munich and Theatrical Modernism. Politics, Playwriting, and Performance 1890–1914. Cambridge, Massachusetts: Harvard University Press.

Kallinen, Timo. 1987. ”Diderot, valistus ja teatteri” teoksessa Denis Diderot, Näyttelijän paradoksi. Valtion painatuskeskus: Teatterikorkeakoulu.

Kandinsky, Wassily & Marc, Franc. 1914. Der Blaue Reiter. München: R. Piper. https://archive.org/details/derblauereiter00kand/page/n10 (haettu 16.7.2019).

Kandinsky, Wassily. 1955. Punkt und Linie zu Fläche. Bern-Bümpliz: Benteli-Verlag.

Kandinsky, Wassily. 1981. Taiteen henkisestä sisällöstä. Helsinki: Taide.

Kaye, Nick. 2007. Multimedia. Video – Installation – Performance. London: Routledge.

Kaye, Nick. 2001. Site-specific Art. Performance, Place and Documentation. London: Routledge.

Kershaw, Ian. 2008. Hitler. Helsinki: Otava.

Keržencev, Platon. 2017. ”Theaterpolitik” teoksessa Arns & Chubarov & Sasse.

Kirby, Michael & Kirby, Victoria Nes. 1986. Futurist Performance. Includes Manifestos, Playscripts and Illustrations. New York: PAJ Publications.

Kleberg, Lars. 1980. Teatern som handling. Sovjetisk avantgarde-estetik 1917–1927. Stockholm: Pan/ Norstedts.

Klein, Norman K. 2004. The Vatican to Vegas. A History of Special Effects. New York: The New Press.

Kleist, Heinrich von. 1991. ”Marionettiteatterista”, Parnasso 5.

Kobialka, Michal. 2009. Further on Nothing. Tadeusz Kantor’s Theatre. Minneapolis: University of Minnesota Press.

Koho, Timo. 1991. Teatteriarkkitehtuurin merkitysarvot. Teatterirakentamisen suhde yhteiskunnan arvomaailmaan kaupungistuvassa Suomessa. Helsinki: Suomen muinaismuistoyhdistys.

Korhonen, Kaisa & Tanskanen, Katri. (toim.) 2005. Näytös vailla loppua. Teatterin ja tanssin vuosi 2005. Helsinki: Like.

Koselleck, Reinhart. 1989. Vergangene Zukunft. Zur Semantik geschichtlicher Zeiten. Frankfurt am Main: Suhrkamp.

Koski, Pirkko. (toim.) 2005. Teatteriesityksen tutkiminen. Helsinki: Like.

Koss, Juliet. 2010. Modernism after Wagner. Minneapolis: University of Minnesota Press.

Kramer, Ursula. 2014. ”Max Reinhardts musikalische Faust-Visionen” teoksessa Theater mit Musik. 400 Jahre Schauspielmusik im europäischen Theater. Bedingungen – Strategien – Wahrnehmungen, toim. Ursula Kramer. Bielefeld: Transcript.

Kuftinec, Sonja. 2007. ”’Go Have Your Life’. Self and Community in Peter Schumann’s Bread and Puppet Theater” teoksessa Harding & Rosenthal.

Kuhn, Hans Peter & Wilson, Robert. 1995. ”H.G.” https://www.artangel.org.uk/project/hg/ (haettu 30.7.2019).

Kunnas, Tarmo. 2013. Fasismin lumous. Eurooppalainen älymystö Mussolinin ja Hitlerin politiikan tukijana. Jyväskylä: Atena.

”Kurt Schwitters” https://en.wikipedia.org/wiki/Kurt_Schwitters (haettu 8.10.2021).

Larson, W.J. 1957. ”Bishop Abraham of Souzdal’s Description of Sacre Rapprsentazioni.” Educational Theatre Journal 9(3).

Lavender, Andy. 2016. Performance in the Twenty-First Century. Theatres of Engagement. Abingdon: Routledge.

Le Bœuf, Patrick. 2010. ”On the Nature of Edward Gordon Craig’s Über-marionette.” New Theatre Quarterly 26(2).

Leacroft, Richard & Leacroft, Helen. 1988. Theatre and Playhouse. An Illustrated Survey of Theatre Building from Ancient Greece to the Present Day. London: Methuen Drama.

Lefebvre, Henri. 1974. The Production of Space. Oxford: Blackwell.

Lehmann, Hans-Thies. 2009. Draaman jälkeinen teatteri. Helsinki: Like.

Lehtonen, Mikko & Valaskivi, Katja & Kuusela, Hanna. 2014. Tehtävä kulttuurille. Talouden ja kulttuurin muuttuvat suhteet. Tampere: Vastapaino.

Lemola, Tarmo. (toim.) 2000. Näkökulmia teknologiaan. Helsinki: Gaudeamus.

Lenzi, Deanna & al. 2000. I Bibiena, una famiglia europea. Bologna: Marsilio.

Lewis-Williams, David. 2002. The Mind in the Cave. Consciousness and the Origins of Art. London: Thames and Hudson.

Lewis-Williams, David & Pearce, David. 2005. Inside the Neolithic Mind. London: Thames and Hudson.

Lucie-Smith, Edward. 1977. Taide tänään. Abstraktista ekspressionismista hyperrealismiin. Porvoo: WSOY.

Lukanitschewa, Swetlana. 2013. Das Theatralitätskonzept von Nikolai Evreinov. Die Entdeckung der Kultur als Performance. Tübingen: Francke.

Lübbren, Nina. 2001. Rural Artists’ Colonies in Europe 1870–1910. Manchester: Manchester University Press.

Macgowan, Kenneth. 1921. The Theatre of Tomorrow. New York: Boni and Liveright.

Mackerras, Colin. 2016. ”China” luvussa ”Architecture and Stage of Traditional Asian Theatre” teoksessa Routledge Handbook of Asian Theatre, toim. Siyan Liu. London: Routledge.

Mackerras, Colin. 1990. Chinese Drama. A Historical Survey. Beijing: New World Press.

Mackintosh, Iain. 1993. Architecture, Actor and Audience. London: Routledge.

Mair, Victor H. 1988. Painting and Performance. Picture Recitation and its Indian Genesis. Hawaii: University of Hawaii Press.

Malina, Judith. 2012. The Piscator Notebook. London: Routledge.

Marcuse, Herbert. 1972. ”The Affirmative Character of Culture” teoksessa Herbert Marcuse, Negations. Essays in Critical Theory. Harmonsworth: Penguin books.

Marker, Frederick & Marker, Lise-Lone. 1996. A History of Scandinavian Theatre. Cambridge: Cambridge University Press.

Martin, Carol. 2007. ”After Paradise. The Open Theatre’s The Serpent, Terminal and The Mutation Show” teoksessa Harding & Rosenthal.

Martin, Carol. 2013. Theatre of the Real. Basingstoke: Palgrave Macmillan.

Martin, Carol. (toim.) 2010. Dramaturgy of the Real on the World Stage. Basingstoke: Palgrave Macmillan.

Marx, Peter W. 2006. Max Reinhardt. Vom bürgerlichen Theater zur metropolitanen Kultur. Tübingen: Narr.

Mason, David. 2016. ”India” luvussa ”Architecture and Stage of Traditional Asian Theatre” teoksessa Routledge Handbook of Asian Theatre, toim. Siyan Liu. London and New York: Routledge.

Mason, Susan Vaneta. 2007. ”San Francisco Mime Troupe Legacy. Guerilla Theater” teoksessa Harding & Rosenthal.

Massey, Doreen. 2008. Samanaikainen tila. Tampere: Vastapaino.

Mattani Mojdara Rutnin. 1993. Dance, Drama, and Theatre in Thailand. The Process of Development and Modernization. Tokyo: The Centre for East Asian Cultural Studies for Unesco.

McConachie, Bruce. 2010 [a]. ”Classical Greek Theatre. Looking at Oedipus” teoksessa Zarrilli & al. 2010.

McConachie, Bruce. 2010 [b]. ”Theatres for Knowledge Through Feeling, 1700-1900” teoksessa Zarrilli & al. 2010.

McKinney, Joslin & Butterworth, Philip. 2009. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.

McKinney, Joslin & Palmer, Scott. 2017. Scenography Expanded. An Introduction to Contemporary Performance Design. London: Bloomsbury Methuen Drama.

Merkel, Marcus. 2014. Erlebnisgemeinschaft. Über die Inszenierung von Gemeinschaft seit Beginn der europäischen Moderne. Berlin: Panama-Verlag.

Mermekides, Alex & Smart, Jackie. (toim.) 2010. Devising in Process. Basingstoke: Palgrave Macmillan.

Miklaszewski, Krystof. 2002. Encounters with Tadeusz Kantor. London: Routledge.

Miller, Judith G. 2007. Ariane Mnouchkine. London: Routledge.

Molinari, Cesare. 1975. Theatre Through the Ages. London: Cassell.

Montelle, Yann-Pierre. 2009. Palaeoperformance. The Emergence of Theatricality as Social Practice. London: Seagull.

Moréas, Jean. 1886. ”Le Symbolisme”. https://www.berlol.net/chrono/chr1886a.htm (haettu 4.6.2019).

Munk, Erika. 2007. ”Only Connect. The Living Theatre and Its Audiences” teoksessa Harding & Rosenthal.

Nagler, A.M. 1959. A Source Book in Theatrical History. New York: Dover Publications.

The Natyašastra. 1995. Calcutta: Manisha Granthalaya Ltd.

Neher, Rudolf Ludwig Caspar https://www.deutsche-biographie.de/gnd118738356.html#ndbcontent (haettu 30.7.2019).

Nellhaus, Tobin. 2010. Theatre, Communication, Critical Realism. New York: Palgrave Macmillan.

Neuweiler, Arnold. 1919. Massenregie. Eine Studie über die Schauspielchöre, ihre Wirkung und ihre Behandlung. Bremen: Werbezentrale Lloyd.

Niessen, Carl. 1958. Max Reinhardt und seine Bühnenbildner. Köln.

Nietzsche, Friedrich. 2007. Tragedian synty. Tampere: Eurooppalaisen filosofian seura.

Niiniluoto, Ilkka. 2000. ”Tekniikan filosofia”, teoksessa Näkökulmia teknologiaan, toim. Tarmo Lemola. Helsinki: Gaudeamus.

Nikitin, Boris & Schlewitt, Carena & Brenk, Tobias. (toim.) 2014. Dokument, Fälschung, Wirklichkeit. Materialband zum Zeitgenössischen Theater. Berlin: Theater der Zeit.

Niven, William. 2000. ”The Birth of Nazi Drama? Thing plays” teoksessa Theatre under the Nazis, toim. John London. Manchester: Manchester University Press.

Nolte, Paul. 2012. ”Einführung. Nach der Revolution. Europäisches Theater im demokratischen Zeitalter” teoksessa Fischer-Lichte & Warstat & Littmann.

Nyberg, Otto. 2019. ”Internet, uusi massateatteri”. Kurssiessee, Taideyliopiston Teatterikorkeakoulu.

Nygaard, Jon. 2004. ”Rock Art and Rock Sites as Indicators of Prehistoric Theatre and Ritual Performances” teoksessa Berghaus 2004.

Näslund, Erik. 2008. Rolf de Maré. Konstsamlare, balettledare, museiskapare. Lidingö: Langenskiöld.

Odin-teatterin arkisto https://www.odinteatretarchives.com/thearchives (haettu 10.11.2018).

Odin-teatret https://odinteatret.dk/about-us/ (haettu 10.11.2018).

Ogawa, Toshiro. 2001. Theatre Engineering and Stage Machinery. Cambridge: Entertainment Technology Press Ltd.

Ollikainen, Rauni. 2014. Suomalainen ideaalimaisema näyttämön tyyppikulisseissa. Helsinki: Aalto-yliopisto.

Orenstein, Claudia. 2007. ”Revolution Should Be Fun. A Critical Perspective on The San Francisco Mime Troupe” teoksessa Harding & Rosenthal.

Ozouf, Mona. 1988. Festivals and the French Revolution. Cambridge, Massachusetts: Harvard University Press.

Paavolainen, Teemu. 2001. ”Ylimarionetista bioesineeseen. Näkökulmia teatterin esinekieleen.” Teatterin ja draaman tutkimuksen pro gradu -tutkielma, Tampereen yliopisto. https://trepo.tuni.fi/bitstream/handle/10024/89095/gradu00079.pdf (haettu 16.10.2019).

Paavolainen, Teemu. 2006. ”Jälkisana” teoksessa Jerzy Grotowski, Kohti köyhää teatteria. Helsinki: Like.

Paavolainen, Teemu. 2015. ”Meaning in the Weaving. Mapping and Texture as Figures of Spatiality and Eventness.” Nordic Theatre Studies 27(2). https://doi.org/10.7146/nts.v27i2.24247

Paavolainen, Teemu. 2016. ”Textures of Theatricality. Three Approaches from Canonical Theatre Directors” teoksessa Tekijä – teos, esitys ja yhteiskunta, toim. Annette Arlander & Laura Gröndahl & Marja Silde. Helsinki: Teatterintutkimuksen seura. https://teats.fi/tekija-teos-esitys-ja-yhteiskunta/ (haettu 8.9.2021).

Palmer, Scott. 2013. Light. Basingstoke: Palgrave Macmillan.

Pan Xiafeng. 1995. The Stagecraft of Peking Opera. Beijing: New World Press.

Pavis, Patrice. 1998. Dictionary of Theatre. Terms, Concepts and Analysis. Toronto, Buffalo: University of Toronto Press.

Pearson, Mike. 2006. ”In Comes I” Performance, Memory and Landscape. Exeter: University of Exeter Press.

Pearson, Mike & Shanks, Michael. 2001. Theatre / Archaeology. London: Routledge.

Pendle, Karin & Wilkins, Stephen. 1998. ”Paradise Found. The Salle le Peletier and the French Grand Opera” teoksessa Opera in Context, toim. Mark A. Radice. Portland, Oregon: Amadeus Press.

Peterson, Sandy. 2015. ”Russian Mass Spectacle and the Bolshevik Regime” teoksessa The Oxford Handbook of Dance and Theater, toim. Nadine George-Graves. New York: Oxford University Press.

Pfützner, Klaus. 1960. Die Massenfestspiele der Arbeiter in Leipzig (1920–1924). Leipzig: VEB Hofmeister.

Piotrovskij, Adrian. 2017. ”Die Festspiele des Jahres 1920” teoksessa Arns & Chubarov & Sasse.

Primavesi, Patrick. 2010. ”Schauspiele für das ganze Volk? Rousseaus Vision öffentlicher Feste als Begründung moderner Theaterformen” teoksessa Theater als Fest – Fest als Theater. Bayreuth und die moderne Festspielidee, toim. Clemens Risi & al. Leipzig: Henschel.

Prütting, Lenz. 1971. Die Revolution des Theaters. Studien über Georg Fuchs. München: Kitzinger.

Puchner, Martin. 2007. ”The Performance Group between Theater and Theory” teoksessa Harding & Rosenthal.

Puchner, Martin. 2002. Stage Fright. Modernism, Anti-theatricality, and Drama. Baltimore: John Hopkins University Press.

Punchdrunk https://www.punchdrunk.com/ (haettu 22.5.2019).

Punchdrunk Enrichment https://www.punchdrunkenrichment.org.uk/project/under-the-eiderdown/ (haettu 22.5.2019).

Rabkin, Gerald. 1999. Richard Foreman. Baltimore: Johns Hopkins University Press.

Radice, Mark A. (toim.) 1998. Opera in Context. Essays on Historical Staging from the Late Renaissance to the Time of Puccini. Portland, Oregon: Amadeus Press.

Rajakangas, Eeva. 2021. ”Massateatteri keinona yhteenliittymiseen ilmastokriisin edessä”. Kurssiessee, Taideyliopiston Teatterikorkeakoulu.

Rees, Terence. 1978. Theatre Lighting in the Age of Gas. London: Society for Theatre Research.

Reichl, Johannes M. 1988. Das Thingspiel. Über den Versuch eines nationalsozialistischen Lehrstück-Theaters (Euringer – Heynicke – Möller). Frankfurt am Main: Mißlbeck.

Reinelt, Janelle. 2010. ”Towards a Poetics of Theatre and Public Events. In the Case of Stephen Lawrence” teoksessa Dramaturgy of the Real on the World Stage,toim. Carol Martin. Basingstoke: Palgrave Macmillan.

Reinhardt, Max. 1974. Schriften. Briefe, Reden, Aufsätze, Interviews, Gespräche, Auszüge aus Regiebüchern, toim. Hugo Fetting. Berlin: Henschelverlag.

Reinhardt, Max. 1987. Max Reinhardt: ”ein Theater das den Menschen wieder Freunde gibt…” Eine Dokumentation, toim. Edda Fuhrich & Gisela Prossnitz. München: Langen Müller.

Ribi, Hana. 2000. Edward Gordon Craig – Figur und Abstraktion. Zürich: Editions Theaterkultur Verlag.

Rice, Paul F. 2010. British Music and the French Revolution. Newcastle Upon Tyne: Cambridge Scholars Publishing.

Richmond, Farley. 1981. ”Suggestions for Directors of Sanskrit Plays” teoksessa Sanskrit Drama in Performance, toim. Rachel Van M. Baumer & James R. Brandon. Honolulu: The University Press of Hawaii.

Robert Wilson https://www.robertwilson.com/ (haettu 3.4.2020).

Roberts, David. 2016. The Total Work of Art in European Modernism. Ithaca: Cornell University Press.

Rokem, Freddie. 1997. ”From One-Point-Perspective to Circular Vision. Some Spatial Themes and Structures in the Modern Theatre.” Forum Modernes Theater 12(1).

Rokem, Freddie. 1986. Theatrical Space in Ibsen, Chekhov and Strindberg. Public Forms of Privacy. Ann Arbor: University of Michigan Press.

Rousseau, Jean-Jacques. 2007. ”Kirje herra d’Alembertille.” Synteesi 1.

Rufford, Juliet. 2015. Theatre & Architecture. London: Palgrave.

Saslow, James M. 1996. The Medici Wedding of 1589. Florentine Festival as Theatrum Mundi. New Haven: Yale University Press.

Sasse, Sylvia. 2015. ”Vorwort” teoksessa Gerichtstheater. Drei sowjetische Agitgerichte, toim. Sylvia Sasse. Leipzig: Leipziger Literaturverlag.

Sasse, Sylvia. 2017a. ”Vorwort” teoksessa Arns & Chubarov & Sasse.

Sasse, Sylvia. 2017b. ”’Geschichte wird mit dem Objektiv geschrieben’. Wie das Foto vom theatralen Sturm zum historischen Dokumentiert wird” teoksessa Arns & Chubarov & Sasse.

Schechner, Richard. 2006. Performance Studies. An Introduction. New York: Routledge.

Schechner, Richard. 1994. Environmental Theater. An Expanded New Edition Including ”Six Axioms for Environmental Theater”. New York: Applause.

Schechner, Richard. 2003. Performance Theory. London: Routledge.

Schechner, Richard. 2016. Johdatus esitystutkimukseen. Helsinki: Taideyliopiston Teatterikorkeakoulu.

Schlemmer, Tut. (toim.) 1990. The Letters and Diaries of Oskar Schlemmer. Evanston, Illinois: Northwestern University Press.

Schnapp, Jeffrey T. 1996. Staging Fascism. 18 BL and the Theater of Masses for Masses. Stanford, California: Stanford University Press.

Schramm, Wilhelm von. 1934. Neubau des deutschen Theaters. Ergebnisse und Forderungen. Berlin: Schlieffen.

Schwitters, Kurt. 1932. Ursonate. https://www.costis.org/x/schwitters/ursonate.htm (haettu 28.4.2018).

Sennett, Richard. 2007. Uuden kapitalismin kulttuuri. Tampere: Vastapaino.

Sennett, Richard. 2002. Työn uusi järjestys. Miten uusi kapitalismi kuluttaa ihmisen luonnetta. Tampere: Vastapaino.

Sennett, Richard. 1976. The Fall of the Public Man. New York: W. W. Norton & Company, Inc.

Seppänen, Janne & Väliverronen, Esa. 2013. Mediayhteiskunta. Tampere: Vastapaino.

Shyer, Laurence. 1989. Robert Wilson and His Collaborators. New York: Theatre Communications Group.

Smale, Catherine. 2020. ”Staging Failure? Berta Lask’s Thomas Münzer and the 400th Anniversary of the German Peasant’s War.” German Life and Letters 73(3).

Smith, Marian. 2000. Ballet and Opera in the Age of Giselle. Princeton: Princeton University Press.

Sonrel, Pierre. 1943. Traité de Scenographie. Paris: Librairie Theatrale.

Sophokles & Hofmannsthal, Hugo von. König Ödipus. https://www.projekt-gutenberg.org/sophokle/oedipu1/oedipu1.html (haettu 12.10.2021).

Stanislavski, Konstantin. 1966. Elämäni näyttämötaiteen palveluksessa. Porvoo: WSOY.

Stanislavski, Konstantin. 2011. Näyttelijän työ. Helsinki: Tammi.

States, Bert O. 1985. Great Reckonings in Little Rooms. On the Phenomenology of Theater. Berkeley: University of California Press.

Stationhouse opera https://stationhouseopera.com/about/ (haettu 16.7.2019).

Statista https://de.statista.com/statistik/daten/studie/1079347/umfrage/bevoelkerung-in-berlin (haettu 8.10.2021).

Steinbock, Dan. 1983. ”Artaud’n testamentti – kohti kriittistä teatteria” teoksessa Antonin Artaud, Kohti kriittistä teatteria. Helsinki: Otava.

Stone, Harry. 2011. Stage Effect Sensations. London: Author House.

Stommer, Rainer. 1985. Die inszenierte Volksgemeinschaft. Die Thing-Bewegung” im dritten Reich. Marburg: Jonas.

Strindberg, August. 1988. Neiti Julie. Helsinki: Otava.

Styan, J. L. 1982. Max Reinhardt. Cambridge: Cambridge University Press.

Suutela, Hanna. 2014. ”Avauksia teatterintutkimukseen viestinnän kontekstissa” teoksessa Häti-Korkeila & al. https://teats.fi/wp-content/uploads/2016/01/TeaTS5.pdf

Szondi, Peter. 1987. Theory of the Modern Drama. A Critical Edition. Cambridge: Polity Press.

Tchaikovsky Research https://en.tchaikovsky-research.net/pages/The_Bayreuth_Music_Festival (haettu 8.10.2021).

Templeton, Fiona. 1990. You the City. New York: Roof Books.

Third Angel https://thirdangel.co.uk/ (haettu 3.4.2020).

Todd, Andrew & Lecat, Jean-Guy. 2003. The Open Circle. The Theater Environment of Peter Brook. London: faber & faber.

Toman, Rolf. 2010. Neoclassism and Romantisicism, Potsdam: h.f.ullmann.

Trimingham, Melissa. 2011. The Theatre of the Bauhaus. The Modern and Postmodern Stage of Oskar Schlemmer. New York: Routledge.

Turner, Jane. 2004. Eugenio Barba. London: Routledge.

Turner, Victor. 1982. From Ritual to Theatre. The Human Seriousness of Play. New York: PAJ Publications.

Uimonen, Markku. 2009. ”Mehr Licht? Warum?” teoksessa Ervasti 2009.

Vakkari, Johanna. (toim.) 2015. Perspektiivi kuvataiteen historiassa, Helsinki: Gaudeamus.

Vakkari, Johanna. 2015a. ”Kristinusko ja illusionismin vastaisuus keskiajan taiteessa” teoksessa Vakkari 2015.

Vakkari, Johanna. 2015b. ”Silmän vuosisata” teoksessa Vakkari 2015.

Varadpande, M.L. 1987. History of Indian Theatre. New Delhi: Abhinav Publications.

Venu, G. 1994. ”Tiyyattu” teoksessa Performing Arts of Kerala, toim. Mallika Sarabai. Ahmedabad: Mapin Publishing Pvt. Ltd.

Verdone, Mario. 1996. ”Mussolini’s Theatre of the Masses” teoksessa Berghaus 1996.

Wagner, Richard. 1914. ”Das Bühnenfestspielhaus zu Bayreuth”teoksessa Richard Wagners gesammelte Schriften. Zweiter Band: Autobiographisches II: Dokumente zu Wagners Leben, toim. Julius Kapp. Leipzig: Hesse & Becker.

Wagner, Richard. 1967. Sämtliche Briefe, 3, toim. Gertrud Strobl & Werner Wolf. Leipzig: Deutsche Verlag für Musik.

Wagner, Richard. 2002. Elämäni. Turku: Faros.

Walton, Michael J. (toim.) 1983. Craig on Theatre. London: Methuen.

Warstat, Matthias. 2005. Theatrale Gemeinschaften. Zur Festkultur der Arbeiterbewegung 1918–1933. Tübingen: Francke.

Weisberg, Gabriel P. (toim.) 2010. Arjen sankarit. Naturalismi kuvataiteessa, valokuvassa ja elokuvassa 1875–1918. Bryssel: Mercatorfonds.

Whitford, Frank. 2006. Bauhaus. London: Thames & Hudson World of Art.

Wickham, Glynne. 1985. A History of the Theatre. Oxford: Phaidon.

Wien Geschichte Wiki https://www.geschichtewiki.wien.gv.at/Bevölkerung (haettu 8.10.2021).

Wikis der Freien Universität Berlin https://wikis.fu-berlin.de/ (haettu 31.10.2019).

Wiles, David. 2003. A Short History of Western Performance Space. Cambridge: Cambridge University Press.

Willett, John. 1978. The Theatre of Erwin Piscator. Half a Century of Politics in the Theatre. London: Eyre Menthuen.

Willett, John. 1986. Caspar Neher. Brecht’s Designer. London: Methuen.

Williams, Simon. 1983. ”The Director in the German Theater. Harmony, Spectacle and Ensemble.” New German Critique 29 (Spring–Summer).

Wilson, Louise Ann https://louiseannwilson.com/work/fissure (haettu 4.8.2019).

Witts, Noel. 2010. Tadeusz Kantor. Abingdon: Routledge.

The Wooster Group https://thewoostergroup.org/history (haettu 3.4.2020).

Worthen, William B. 2005. ”Moderni draama ja teatterin retoriikka” teoksessa Teatteriesityksen tutkiminen, toim. Pirkko Koski. Helsinki: Like.

Xu Chengbei. 2003. Peking Opera. Beijing: China International Press.

Zafran, Eric M. 1983. The Rococo Age. French Masterpieces of the Eighteenth Century. Atlanta, Georgia: High Museum of Art.

Zarrilli, Philip B. & al. 2010. Theatre Histories. An Introduction. New York: Routledge.

Zarrilli, Phillip B. 2010a. ”Oral, Ritual and Shamanistic Performance” teoksessa Zarrilli 2010.

Zarrilli, Philip B. 2010b. ”Religious and Civic Festivals. Early Drama and Theatre in Context” teoksessa Zarrilli 2010.